“I’m interested in photographing what the world looks like when we can’t agree on what’s real,” he says
“I’m interested in photographing what the world looks like when we can’t agree on what’s real,” he says
The annual Bonfire celebrations are captured in dark monochrome, as they link to the greater narrative of British existence
On the day of US President-Elect Joe Biden’s inauguration, the Mexican photographer reflects on her Female in Focus 2020 winning series, conceived last year in a bid to convince American citizens to vote Trump out of office
Upon learning of her mother’s terminated pregnancy while in the armed forces, the photographer set to work to reveal an intimate and important experience shared by many
In the first instalment of a new series, ‘I’ve been meaning to ask you’, we present George Selley in conversation with Peter Kennard, a political artist who has deeply influenced his practice
LUMIX Stories for Change is an ongoing collaboration between British Journal of Photography and Panasonic…
LUMIX Stories for Change is an ongoing collaboration between British Journal of Photography and Panasonic…
Gabriella Demczuk, nominated by photographer and editor Laurence Butet-Roch, reflects the mood of a nation with her noir-like political series in the US
“It was also about reshaping that American icon: everyone thinks of the cowboy as this white American hero who has come to slay Native Americans. Actually the word cowboy is a racist term. It comes from when slave masters called all their slaves ‘boys’ and so the cow boy was the boy who looked after the cows and the horse boy was the boy who looked after the horses.” Cian Oba-Smith journeys to Philadelphia at a politically charged time during the 2016 U.S. election to meet with an infamous group of horsemen dealing with this ingrained racism on a daily basis.