Gia Goodrich’s practice is built around authentic representation — when brands want to do better, they come knocking. Here, she discusses how to market yourself, and make an impact
In collaboration with 1854/British Journal of Photography, WaterAid is commissioning three new photographic projects exploring the ways in which the climate crisis is obstructing people’s basic rights to clean water, decent sanitation and personal hygiene — especially in some of the world’s poorest countries.
Maurice Scheltens and Liesbeth Abbenes have long been preoccupied by perspective. In fact, this year is the 18th that the artist duo – partners in life, as well as in work – have spent creating their painstakingly controlled scenes to capture on camera together. Translating their immaculately constructed three-dimensional sets into technically precise two-dimensional images, they have made a name for themselves with rich, playful and illusory works that toy with spatial dimensions, and which, though aesthetically pleasing, are conceptually rigorous first and foremost. The concept, Abbenes assures us, always precedes the picture.
Their spring exhibition at Amsterdam’s Foam Museum (from 15 March to 05 June) is something like a retrospective, giving the Dutch duo an opportunity to look back over almost two decades of work from a new perspective. And true to form, they are first rearranging the rooms their work will inhabit by uncovering windows that have not been opened in many years. “We will have light and some fresh air, hopefully. We have to give up walls for that, but it’s good to have a bit of the outside world coming in,” they say. Shifting the dimensions and conditions of the space itself will alter the way viewers see the work, and that typifies their approach to the exhibition, rethinking how the works will appear in this new context, and how they relate to each other.
Born in the Eastern Bloc, Adrian Samson has lived in the US and Canada but is now based in London, where his appealing, contemporary work has won him commissions from clients such as Hermes, Miu Miu, COS, Vogue Hommes International, Numero Berlin, Wallpaper*, The Plant, The Gourmand, and The New York Times. His latest project is a shoot for the Frieze Art Fair, which opens in London from 04-07 October, and which saw him handling ancient and modern artefacts taken from the Frieze Masters section. His images will be presented in Frieze’s newspaper for its well-respected event, which includes a talk by Nan Goldin on 06 October and a presentation of work by emerging Polish photographer Joanna Piotrowska.
“Human life at its most basic level needs water to survive. It’s tragic that too much of the world does not have access to a sustainable source of water in order to survive, never mind live,” says photographer Sophie Green of her work with Just a Drop, a charity providing access to sustainable clean water solutions in Kenya. Born in the UK and best-known for exploring facets of British culture such as drag racing and horse fairs, Green isn’t an obvious choice for the charity. But Just a Drop approached her because they were drawn to her aesthetic, she says – and, she points out, she’s spent the last two years documenting African culture in Britain.
The London-based student has won the opportunity to shadow Laura Pannack on an exclusive BJP portraiture commission
Having assisted Wolfgang Tillmans for a year after studying photography at Kingston University, Carmen Brunner…