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Search Results for: Oliver Chanarin
Reading Time: 7 minutes On the opening day of Broomberg & Chanarin’s posthumous retrospective at Catalan contemporary art centre Fabra i Coats, Barcelona, Sean O’Toole reflects on the duo’s rich career, replete with experimentation and subversion, in light of its official end.
Reading Time: 4 minutes Media Art and Misfortune capitalises on our compulsion to online-shop by showcasing students’ work through ‘products’ reflective of their wider practices
Reading Time: 5 minutes Captivated by the Indigenous tradition of Songlines, Tanya Houghton travelled across Australia’s national parks, covering a total distance of 10,500 km over five weeks
Reading Time: 4 minutes An online photography publication interrogating the notion of absence, by students at The Royal Academy of Art, The Hague, takes on new significance in the context of Covid-19
Reading Time: 8 minutes Chanarin was poised to embark on a photographic survey of Britain for an installation at SFMOMA, however, confined to his apartment, the artist turned his lens on his partner Fiona Jane Burgess instead. Inspired by August Sander’s photograph the Painter’s Wife, Chanarin has made hundreds of portraits of Burgess at home during lockdown
Reading Time: 5 minutes Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
Reading Time: 3 minutes In 1919, a year after the end of World War One and the start of the Weimar Republic in Germany, $1 was worth 48 Marks. By early 1922, $1 bought 320 Marks; by late 1922, $1 bought 7,400 Marks. By 1923, $1 bought 4,210,500,000,000 Marks. “Lingering at shop windows was a luxury because shopping had to be done immediately,” said the artist George Grosz at the height of this hyperinflation.
“Even an additional minute could mean an increase in price. One had to buy quickly. A rabbit, for example, might cost two million marks more by the time it took you to walk into the store. The packages of money needed to buy the smallest item had long since become too heavy for trouser pockets. I used a knapsack.”
Reading Time: 3 minutes Yuel Elob just saved up to buy a fixie bike, “just for fun, because I love cycling so much”. Daniel loves music and DJ-ing. Bada Yusuf volunteered at Pride’s pop-up shop last year, and met a group of people who are now “all friends, and I have parties at my house”. They sound like typical young Londoners but their stories are anything but – war and persecution meant all three were forced to leave their countries, and start again from scratch in London. Even so all three have found jobs, and Yusuf has nearly finished a Masters.
They feature in an exhibition called Breaking Barriers, which aims to show “the dreams and challenges faced by refugees in the UK”. Co-curated by Rebecca McClelland, who spent seven years as a photographic editor at The Sunday Times Magazine before becoming the New Statesman’s first photographic lead, the show features portraits by world-famous image-makers such as Diana Markosian, Nick Waplington, Adam Broomberg and Oliver Chanarin.
Reading Time: 4 minutes Now in its seventh edition, Unseen Amsterdam has confirmed itself as one of Europe’s most…