Shot on the salt pans of Botswana and reworked in the dark room, Chloe Sell’s latest series is a meditation on the cyclical nature of life
Projects
‘The Travellers’ unearths the everyday lives of Ireland’s largest minority group.
In September of last year, the city of Berlin opened its doors to thousands of refugees from Syria, Afghanistan and Iraq, who had fled their war-torn countries in a desperate search for a new life. Registration centres that were set up to deal with less than half a dozen applicants a month, were overwhelmed by hundreds of families every day. At 10pm, when the centres closed, buses arrived to take the un-registered refugees to emergency accommodation – a gym, or community hall perhaps. Once those were full, the migrants with little more than the clothes on their backs, were left out on the streets until the centre opened its doors again in the morning. It was these images of overcrowding, and these reports of crisis that inundated the news headlines. Less talked about were the stories of the families that took these refugees, strangers from another country who did not speak their language, into their homes. Documentary photographer Aubrey Wade and partner Sarah Bottcher, were two of these volunteers who temporarily hosted a pair of young Afghan men at their new flat.
One of the emerging artists exhibiting in the London College of Communications Photography MA show, Gabriela Mazowiecka’s Letting Go investigates Polish levels of trust
Curated by Louise Clements, Derby’s FORMAT17 draws on cutting edge photography to consider the man-made world and our place in it
“I have always been interested in exploring London, I’ve travelled around London and photographed it…
The writer, collector, dealer and curator says so long with an archive of slides and a hammer
Even before the Brussels attacks, the poor, nondescript, seemingly innocuous Brussels district of Molenbeek had become world famous as a hotbed for Islamic State-inspired terrorism. Local photographer Hadrien Duré set out to show the normal people that still call Molenbeek their home.
Over thousands of years, the tattoo has been etched into the global imagination, absorbed into…
Greg Miller’s series, We The People, started out as an assignment for Esquire in 2004 – the year in which John Kerry lost to George W Bush. He has photographed the American election ever since.