One of the emerging artists exhibiting in the London College of Communications Photography MA show, Gabriela Mazowiecka’s Letting Go investigates Polish levels of trust
One of the emerging artists exhibiting in the London College of Communications Photography MA show, Gabriela Mazowiecka’s Letting Go investigates Polish levels of trust
Curated by Louise Clements, Derby’s FORMAT17 draws on cutting edge photography to consider the man-made world and our place in it
“I have always been interested in exploring London, I’ve travelled around London and photographed it…
The writer, collector, dealer and curator says so long with an archive of slides and a hammer
Even before the Brussels attacks, the poor, nondescript, seemingly innocuous Brussels district of Molenbeek had become world famous as a hotbed for Islamic State-inspired terrorism. Local photographer Hadrien Duré set out to show the normal people that still call Molenbeek their home.
Over thousands of years, the tattoo has been etched into the global imagination, absorbed into…
Greg Miller’s series, We The People, started out as an assignment for Esquire in 2004 – the year in which John Kerry lost to George W Bush. He has photographed the American election ever since.
M Scott Brauer had the same access as any other photographer on the campaign trail of the US election, but, for his new series This is the worst party I’ve ever been to, he decided to “stepping away from the designated photo opps and subvert what was being shown, to look behind, deeper into, or next to the main event.”
“What is ugliness? What is perfection? What is the ideal beauty?” These are some of the questions that Marijke Groeneveld addresses in her refreshingly frank portraits.