Projects

kennardphillipps on the power of political photomontage

“Through putting together an image – either digitally and/or with scissors and paste, with or without text – people get to feel a sense of empowerment, an empowerment that communicates to the viewer, be it via a placard, a street poster, or an image on social media. The act of re-using existing images and re-presenting them through juxtaposition is inherently subversive, and showed up in the countless images of Theresa May that came thick and fast in direct response to the official election campaigning day-to-day.”

12 June 2017

Ones to Watch: Çağdaş Erdoğan

“I believe Turkey is photographed deficiently,” says Çağdaş Erdoğan. “The photographs we see of Turkey are propaganda for the nationalist movement, or they’re Orientalist images for the outer world since these are what they want to see.”Erdoğan, 24, is a Kurdish Turk born in a small town in the east of the country who has established himself as one of the leading young photojournalists in a newly authoritarian and conservative Turkey

8 June 2017

Katrin Streicher's Night Time Tremors

Katrin Streicher’s series, Night Time Tremors, tells the story of a city being slowly swallowed by the ground. Located inside the Arctic Circle in Sweden, Kiruna was built on one of the largest iron ore deposits in the world, and sits on top of a network of mines

30 May 2017

The force is strong with emerging photographer Iggy Smalls

“In Neverland I reject the notion that a photograph or a photographer is able to capture the truth,” says Iggy Smalls. “I have a hard time grasping the definition of truth, and though I do not deny the power that images have to move us, this project will hopefully move you to question what is staged or otherwise manipulated, and what coincidentally really just happened.”

30 May 2017

Photo London: Nicola Lo Calzo on the Afro-Cuban legacy

Examining the cultural, religious, and ceremonial practices passed down through generations of African descendants in Cuba, Lo Calzo highlights the variety of identities within the country, and the ways in which they complement one another. Cohabiting “within a personal culture of exchange”, he says, they “borrow each other’s visions, customs and narratives”. He points to the “precarious balancing act” between the familiar Cuba, largely defined by the communist revolution and the society born out of it, and the diverse communities that actually make up the country.

11 May 2017
In this collection, we discover the concepts behind new and ongoing work by both emerging and leading practitioners.