It’s a terrible shock and great sadness to be writing about Ed in the past…
That world exists, if you know where to look. Berlin-based photographer Karolin Klüppel’s pictures of…
Daniel Castro Garcia has scooped a solo show at London’s TJ Boulting Gallery with a project showing the plight of those caught up in the European refugee crisis
Inspired by the ancient Roman virtue of Gravitas, Christiane Monarchi has curated a photo exhibition focusing in on adolescents and their depiction
1. Gregory Halpern’s ZZYZX, published by Mack A book that merges documentary, portraiture and a…
The director of the We Folk agency on the best photographic projects and events of 2016 and 2017
The New York Times Magazine’s director of photography on the stand-out projects of the year
Walking down the street with Jack Davison can be time-consuming. A sharp-suited bloke talking on…
In September of last year, the city of Berlin opened its doors to thousands of refugees from Syria, Afghanistan and Iraq, who had fled their war-torn countries in a desperate search for a new life. Registration centres that were set up to deal with less than half a dozen applicants a month, were overwhelmed by hundreds of families every day. At 10pm, when the centres closed, buses arrived to take the un-registered refugees to emergency accommodation – a gym, or community hall perhaps. Once those were full, the migrants with little more than the clothes on their backs, were left out on the streets until the centre opened its doors again in the morning. It was these images of overcrowding, and these reports of crisis that inundated the news headlines. Less talked about were the stories of the families that took these refugees, strangers from another country who did not speak their language, into their homes. Documentary photographer Aubrey Wade and partner Sarah Bottcher, were two of these volunteers who temporarily hosted a pair of young Afghan men at their new flat.