“Taking someone’s portrait is always a disruptive and often very awkward event. Everyone has their default portrait pose. The role of the photographer is to push beyond, to find that mysterious intimate moment that only a camera can freeze.”
“Taking someone’s portrait is always a disruptive and often very awkward event. Everyone has their default portrait pose. The role of the photographer is to push beyond, to find that mysterious intimate moment that only a camera can freeze.”
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
Questions of truth and fiction, doubt and certainty, and the relationship between the observer and the observed are the key themes of the £30,000 prize – which rewards a living photographer, of any nationality, for a body of work felt to have significantly contributed to photography
“Individually these photos represent the moment that we crossed paths, but collectively they represent my portrait of London – a confident city, a city of the future, a city I call home,” says Niall McDiarmid, who has been shooting portraits on the streets of Britain’s capital for the last six years.
Examining the cultural, religious, and ceremonial practices passed down through generations of African descendants in Cuba, Lo Calzo highlights the variety of identities within the country, and the ways in which they complement one another. Cohabiting “within a personal culture of exchange”, he says, they “borrow each other’s visions, customs and narratives”. He points to the “precarious balancing act” between the familiar Cuba, largely defined by the communist revolution and the society born out of it, and the diverse communities that actually make up the country.
“Dublin is the city I grew up in, I wanted to make work about me…
“Everything in France over the last year-and-a-half has given a different context to the pictures…