Photobook

Arctic: New Frontier

The Arctic circle is warming twice as fast as the rest of the world. According to the National Oceanic and Atmospheric Administration, for the past five years Arctic air temperatures have exceeded all records since 1900. If temperatures continue to rise, scientists expect that the North Pole will be ice-free in summer by 2040.

Ice reflects sunlight while water absorbs it, so less ice means even higher temperatures. But the consequences of disappearing sea ice in the Arctic are more complicated than the obvious impact it has on our global climate. Less ice provides new routes for maritime shipping, and opens up new areas for the exploitation of fossil fuels, transforming the region into a strategic battleground for countries with vested interests – not to mention indigenous villages whose livelihoods are threatened by rising sea levels.

Photojournalists Yuri Kozyrev and Kadir van Lohuizen, who are both represented by NOOR, travelled through the Arctic circle, documenting the startling, and often complicated, effects of Arctic climate change. Arctic: New Frontier is the product of the ninth edition of the Carmignac Photojournalism Award, which each year funds a new investigative photo reportage on a humanitarian and geopolitical issue. An exhibition of over 50 photographs and six videos will be displayed at London’s Saatchi Gallery from 15 March until 05 May.

13 March 2019

Q&A: Mathilde Vaveau on ESSARTER Editions’ Red Utopia trilogy

Based in Paris and Bristol, ESSARTER Éditions is a “photo-documentary publishing house”. Founded by the photographer Mathilde Vaveau and the graphic designer Lou Reichling, it aims to “gather around common interests – the book, photography and documentary”. ESSARTER has published four projects so far – Ukraine Post Euro Maidan, Usée Immédiat, À la Vôtre, and its most recent, a trilogy called Red Utopias. Including work by ten photographers drawn from across Europe and the former USSR, Red Utopias and considers the Soviet Union and its legacy from a variety of perspectives. It is published in French, Russian, and English. 

12 March 2019

Hiro Tanaka on tour and beyond

Over the last decade, Hiro Tanaka has published two photobooks – Dew Dew Its and Chicharron, which won the 2018 Cosmos Arles PDF Award. He has exhibited globally in group shows and photo festivals, and toured the world with punk and hardcore rock bands, where he is often spotted deep in a mosh-pit, camera pumping in the air. But before all that, he was working nine-to-five as a computer technician in Tokyo, Japan, with no interest in photography. Tanaka’s whole career sprouted from a string of unexpected coincidences, beginning with a free flight to America.

7 March 2019

Restricted Images by Patrick Waterhouse and the Warlpiri

The subtitle of Patrick Waterhouse’s latest work, Restricted Images, is Made with the Warlpiri of Central Australia – and the word ‘with’ is notable. Over repeated trips, the 37-year-old Briton began to collaborate with, photograph and collect the work of Warlpiri artists, basing himself at the Warlukurlangu Artists art centre in the Northern Territory, five hours’ drive from Alice Springs.

“I wanted to create a situation where the people I was working with had an encounter again, a chance to flip the power dynamic,” he tells me over coffee at his new studio in east London. He is surrounded by prints from the series, neatly packaged and ready to travel with him two days later to Australia for the next chapter of a project that started in 2011 when, through his editorship of the iconic Colors magazine, he first visited the art centre. “I wanted to give the people in this community agency over their own representations,” he says.

7 March 2019

Angle 24°: Fun with Negatives by Clare Strand

Clare Strand’s latest project presents a series of negatives printed onto translucent paper. “The offer’s there,” says Strand, “People can make their own prints and then they have the images themselves, or they can keep the book as it is. The negatives have a physicality to them – they have their own aesthetic – so it’s not a redundant object if you don’t use them”.
Strand’s zine is the 24th edition of Angle 1-90°, a 90-part project by Norwegian book publisher Multipress. Each zine is made by a different artist who presents their own unique angle on the world through photography. Multipress will continue to produce four zines a year until they reach 90°.

7 March 2019

The 2019 Deutsche Börse Photography Foundation Prize goes on show

Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.

7 March 2019

Out of the Blue by Virginie Rebetez

Virginie Rebetez is a photographer preoccupied by absence. Her work explores themes around disappearance, loss and death, her subjects often physically absent or removed from the projects that depict them. Such is the case with Out of the Blue, which centres around the unresolved disappearance of Suzanne Gloria Lyall, who went missing in 1998 at the age of 19, in Albany, upstate New York. Out of the Blue was published last year by Meta/Books, and is showing in Mutable/Multiple at Quad during Format.

Lyall has never been found but traces of her remain even now, more than 20 years later. “Photography has this relationship with traces but also with proof and reality,” explains Rebetez, whose work attempts to make concrete something unthinkable, this vacuum, by becoming acquainted with Suzanne and her life in her absence. “It’s really interesting to work on something invisible with photography because somehow it gives something material to that which is not present,” she says.

4 March 2019

Yorgos Yatromanolakis’ personal political

“I believe that collective memory and individual experience, politics and personal beliefs, are interrelated,” says Yorgos Yatromanolakis, and it’s easy to see why. Born in Crete in 1986, he got into photography in December 2008 because he wanted to document the riots that broke out in Greece after a 15 year-old, Alexandros Grigoropoulos, was shot dead by the police. Shot in grainy black-and-white and printed by Yatromanolakis, the resulting images were later self-published as a book, Roadblock to Normality.

“Roadblock to Normality is a small, personal, but at the same time collective notebook emanating from my participation in political and social movements in my country,” says Yatromanolakis. “It certainly captures, in a subjective way, some critical political events.”

4 March 2019