The Promise is book two in Vasantha Yogananthan’s ambitious seven-book project, A Myth of Two…
Landscape
Catherine Hyland’s fascination with landscape is the inspiration behind her otherworldly large format images depicting humanity’s attempts – some more effective than others – to tame the environment. It’s an observation that has led to both artistic and commercial commissions, with residencies at venues such as the Focal Point Gallery in Southend for the Radical Essex programme, the Cultural Association Su Palatu Fotografia in Sardinia and the Design Museum in London. She has also made a short documentary for the Sri Lanka Design Festival on the country’s eco-factories.
David Campany’s celebrated exhibition, A Handful of Dust, traces the 20th century history of photography through this seemingly humble substance; as the show finally comes to London, we revisit the article on it he wrote for BJP back in 2015
Yan Wang Preston’s Mother River is both a physical odyssey through China and a metaphor for its…
This year’s edition of the biennial photography festival Format foregrounds work that describes the world…
The artist is showing new work at the Roman Road gallery, in an exhibition called TYO2-LDN4,…
The director of the Musee des beaux-arts, le Locle shares what made this year for her – and what she’s looking forward to
Shot on the salt pans of Botswana and reworked in the dark room, Chloe Sell’s latest series is a meditation on the cyclical nature of life
Marking the twenty-year anniversary of Hong Kong’s return to Chinese sovereignty from British rule, a new exhibition at Impressions Gallery explores the entwined histories of China and the UK, traced through the family history of photographer Kurt Tong.
In January and February 1991, as the United States–led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand.