The photographer will spend a week travelling across the country and create a body of work responding to the people and places she encounters
Features
When Seydou Keïta (1921-2001) was given a Kodak Brownie Flash by his uncle in 1935,…
Throughout her career, Clare Strand’s work has been deeply embedded in the act of research.…
For Czech photographer Tereza Zelenkova, it is the stories behind the images that fascinate her. “I guess a good way of looking at some of my works is as if they were illustrations for a book that does not exist,” says Zelenkova, whose work will be shown in two upcoming solo shows in Amsterdam
Late in 2010, Michele Sibiloni left the sleepy town in the Emilia Romagna region of Italy where he had lived all his life and moved to Kampala in Uganda, a city eight times larger. He had come to cover the lead up to the 2011 general election in the country, which many had predicted might depose its leader, following the lead of the Jasmine revolution in North African countries. But, despite the jitter, all Sibiloni witnessed once the voting had ended was the swearing-in of President Yoweri Museveni for his fourth term in office since he helped overthrow Idi Amin in 1979. Even so, Sibiloni was hooked. “It’s so different to where I come from,” he tells me, by telephone from his apartment in Kampala. “At the beginning I found it really chaotic, but the more time I spent here, and the more I got to know about the surrounding region of East Africa, the more fascinated I became. In fact, I got really excited.”
British Journal of Photography is excited to reveal the photographers shortlisted for Austria. The Art of Discovery. Of the eight photographers, one will travel to Austria on an exclusive commission to explore and document the country
Fashion photography is changing – as Holly Hay and Shonagh Marshall, co-curators of a new three-part project entitled Posturing: Photographing the Body in Fashion, will attest. In November 2017, the pair held a London exhibition which placed 42 framed photographs and six magazine shoots in a west London space. It called into question both the function of this branch of contemporary image-making and the changing role of the figure in fashion imagery, placing work by Johnny Dufort, Marton Perlaki, Charlie Engman, Brianna Capozzi and others side by side. The show was followed by a specially commissioned film by artist Coco Capitán, Learning to Transcend the Physical Barrier That Owning a Body Implies, examining the respective practices of a choreographer, an artist and the founder of a traditional film-based darkroom, interrogating physical selfhood in all of its guises. This month, they launch the third part – a book created with Self Publish, Be Happy, in which photographers, stylists, editors and set designers respond to ideas about the body in fashion.
Markel Redondo first photographed Spain’s abundance of abandoned housing developments in 2010. Now, eight years later, he has retraced his footsteps
Since childhood, the Portuguese landscape of Beira Interior has held a personal resonance for photographer Tito Mouraz. “I have a relationship and a past with this region,” he says. Encouraged by “a fusion of happy memories”, Mouraz began a new body of work named Fluvial, which focuses on the landscape and the people that come and go there. For Fluvial, he returned to the familiar territory for six consecutive summers between 2011 and 2017. Described by Humberto Brito as an “ode to leisure”, the images blend fiction and reality, capturing meditative junctures by the water. “These are informal moments in the Portuguese society, predominantly migrants returning home from northern Europe for the summer holidays to join their families,” explains Mouraz.
Zelda Cheatle, Christine Santa-Ana and Jaimie Marie Davis reflect on the art of exhibiting work