“Nothing that can prepare you for the shock of becoming a parent; you kind of…
Fairs
German photographer Andrea Grützner, who was born in 1984, has won the ING Unseen Talent Award with her series Hive. She now wins €10,000 to develop a new project and, along with the other shortlisted photographers, the opportunity to develop her work under the guidance of Nadav Kander, the UK-based photographer best-known for his huge commission for The New York Times Magazine, Obama’s People.
For three days this week, from 22 to 24 September, the Dutch capital will host…
The fourth-instalment of the EyeEm Photography Festival and Awards boasts a program of workshops and speakers looking to the future of visual communication
The ING Unseen Talent Award is one of the most generous prizes out there for young photographers, with a €10,000 fund to make new work up for grabs, plus mentoring from Nadav Kander and a group show at Unseen Amsterdam for all the finalists. This year, the five shortlisted artists are: Alexandra Lethbridge (b. 1987, UK); Tom Callemin (b. 1991, Belgium); Andrea Grützner (b. 1984, Germany); Robin Lopvet (b. 1990, France); and Stefanie Moshammer (b. 1988, Austria).
The ten winners are: Carl Bigmore, Georgs Avetisjans, Kazuma Obara, Lua Ribeira, Martin Seeds, Matthew Broadhead, Michael Vince Kim, Monica Alcazar-Duarte, Sam Ivin and Sian Davey.
The first time Self Publish, Be Happy was invited into Tate Modern’s Turbine Hall, its programme included selfie stick aerobics and tectonic crystal healing. The second time it focused on the virtual world. This time, SPBH founder Bruno Ceschel wants to focus in on ideas.
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
Britain’s biggest photo fair is now an established event – so it’s organisers are pushing the boundaries this year with a headline show by Taryn Simon and more work by cutting-edge artists
“The series toys with the question regarding the necessity of travelling to a place that has been photographed innumerable times, the need to record additional photographs,” says the artist. “If countless images of a specific place are readily available, has one been there already?”