Christian Boltanski’s After in Amsterdam’s Oude Kerk This recently-opened exhibition in the Oude Kerk in…
Exhibition
The Washington Post picture editor picks out his top five of 2017 – including Peter DiCampo and Austin Merrill’s Everyday Africa photobook
The curator, writer, and creative consultant picks out her top five of 2017 – including Jason Fulford’s Fake Newsroom, a contemporary spin on Larry Sultan and Mike Mandel’s 1983 performance
The founder of Firecracker and Global Business Development Manager of Magnum Photos picks out her top five of 2017 – including Megan Doherty’s Instagram feed
The British Journal of Photography’s editorial director picks out his top five of 2017 – including Sam Contis’ Deep Springs
The photographer, director of the International Festival of Photography at Valparaiso, Chile, and editor of the South American photo magazine Sueño de la Razón picks his top five of 2017 – including Andres Figueroa’s photobook Bailarines del desierto
Vogue Italia’s picture editor picks out Monica Alcazar Duarte’s The New Colonists as one of her top five of 2017 – and throws in one more selection for luck
The Guardian’s photo critic picks out his top five of the year, including Sohrab Hura’s installation The Lost Head & The Bird at The Nines, London during Peckham 24
Tate Modern’s curator of photography picks out his top five of the year, including Maisie Cousins’ grass, peonie, bum show from TJ Boulting Gallery
“I collect a lot of stuff, and sometimes I like to see it as raw material I could use to tell another story and do something new,” says Thomas Sauvin. Hand-colored, his project with Chinese animator Lei Lei, is a good case in point. A collection of 1168 images which have been scanned, reprinted and repainted in bright, deliberately artificial colours, it’s the opposite of the usual archive work. But it’s part of the Beijing Silvermine Archive, he says, a collection of negatives Sauvin first started up by salvaging strips from a recycling plant in the Chinese city.