Reading Time: 4 minutes When Michelle Sank approached young people on the streets of Sandwell, asking to take portraits…
Reading Time: 5 minutes Born in Berkeley but raised in the East Bay suburb of Walnut Creek, Mimi Plumb has been a lynchpin in the network of photographers and educators who keep the region grounded in socially engaged documentary traditions. In her own photography, she has remained close to her roots, shooting long-term projects all over northern California. Many of those projects are only now beginning to see the light of day.
One of the reasons why her archive has lain dormant for so long is that she has been teaching photography most of her adult life at local institutions such as San Jose State University and San Francisco Art Institute, where she herself gained an MA, and which has played a key role in educating many photography students in the region. In 2014, her first body of work, Pictures from the Valley, was exhibited at City Hall in San Francisco. These pictures, taken in her early 20s when she was still a student, were a campaign for trade union rights among the Hispanic field workers of California’s farmlands.
Reading Time: 3 minutes Think of Guy Bourdin, and you’ll probably think of intense, transgressive images shot in highly-saturated colours. There’s his photograph for Pentax in 1980, for example, which shows a gush of red liquid apparently streaming from a prone woman’s mouth; or his shot from 1978, which shows a woman’s bottom and legs lying on orange sofa – her head firmly out of the picture.
But Bourdin also shot award-wining black-and-white work, which is less known now but which was celebrated in its time. There’s his black-and-white campaign for Chanel’s first ‘Premiere’ watch, for example, which he shot in 1987. Influenced by his interest in Surrealism – in particular Man Ray – and not clearly advertising images, this campaign went on to win the Infinity Award at the International Center for Photography (ICP) in New York in 1988.
Reading Time: 5 minutes Aiyush Pachnanda may have yet to finish his Photojournalism degree, but he’s already taking the…
Reading Time: 4 minutes Feeling all shopped out? Take refuge in a photo show – though many are being hosted by private galleries in Paris next week, meaning you can still buy prints if you want to. Photo Saint-Germain is a huge umbrella under which 36 exhibitions and events are taking place, for example, including the Polycopies and Shakespeare & Co book events and several cultural institutes, but also smaller, commercial galleries.
Reading Time: 2 minutes Paris Photo is the big one, but it isn’t the only photo fair in town next week. Held in a private mansion, a pp roc he makes a virtue out of its bijou size, hosting just 14 photographers in a private mansion in “a salon devoted to experimental photography practices”. Designed as an exhibition, this fair is accessible by reservation only, and includes celebrated photographers and galleries such as Ruth van Beek, brought by The Ravestijn Gallery; Daniel Shea, brought by Webber Gallery; and Maya Rochat, brought by Seen Fifteen. In addition, it includes “the a pp roc he sector”, a section showing two artists under the age of 40 not currently represented by a gallery (this section includes Thomas Sauvin & Kensuke Koike working together as a pair).
Reading Time: 13 minutes Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
Reading Time: 7 minutes The biggest photo fair in Europe, Paris Photo returns from 08-11 November, with a new section on erotic images, and a walk-through focusing on female photographers.
Curated by Martha Kirszenbaum, curator of the French Pavilion at the 2019 Venice Biennale, the Curiosa sector will bring together intimate images by 13 artists such as Nobuyoshi Araki, JoAnn Callis, and Antoine d’Agata. Kirszenbaum hope to challenge the viewer’s gaze on the fetishised body, and tackle “relations of power, domination, and gender issues”. “There are images not everyone would like to see, which I think is good,” Kirszenbaum told BJP in an article published in our November issue.
Reading Time: 3 minutes Bangladeshi photographer Shahidul Alam has been given the Humanitarian Award at this year’s Lucie Awards. The award was given on 28 October in recognition of Alam’s prestigious career in photography and activism, which has seen him documenting the democratic struggle to remove Bangladeshi dictator General Hussain Muhammad Ershad in 1984, publishing a celebrated book My journey as a witness, and taking the last official portrait of Nelson Mandela in 2009. In addition, Alam set up the award-winning Drik picture agency, the Chobi Mela festival, and the South Asian Media Institute.
Alam is currently in prison in Bangladesh, having been arrested on 05 August and charged with violating Bangladesh’s Information and Communication Technology Act. The Lucie Foundation took the opportunity to join the many international voices speaking out against his incarceration, which include Amnesty International, the Committee to Protect Journalists, Reporters Without Borders, and Index on Censorship.
Reading Time: 3 minutes In the yearly World Happiness Report, Denmark, along with its Nordic neighbours, continuously ranks in the top three spots. But what is it about the Danes that makes them so happy? “After three years, I still don’t really have an answer,” says Giulia Mangione, whose new book, Halfway Mountain, seeks to uncover this very question. Mangione started the project in 2014, as part of a photography course she was taking in at the prestigious Danish School of Media and Journalism. Her experience as assistant photo editor at Calvert Journal and interning at MACK Books had helped her “develop a taste for documentary photography” and photobooks, she says, and, after showing a dummy of her project to Corinne Noordenbos – a celebrated educator and former tutor of contemporary photographers such as Rob Hornstra and Viviane Sassen – she decided to expand on it.