A new three-volume collection documents the architectural images of American photographer, Julius Shulman. The tome forms the first major publication of Shulman’s work, detailing buildings by the likes of Frank Lloyd-Wright, Pierre Koenig and Raphael Soriano.
On the opening of Museum Of Machines, a major new exhibition on Dayanita Singh at Mast Gallery, Bologna, the exhibition curator Urs Stahel writes of the iconic Indian photographer’s ability to “shape internal and external life, society and personal history, presence and absence, fullness and emptiness, reality and dream into a fragmented whole, a new and unique body of image and poetry.”
A little-known series of photographs of the state of Nevada, shot in the year 1977 by the late American landscape and architectural photographer Lewis Baltz, is about to go on show for the first time.
David Lurie’s Cape Town-based project Writing the City, a documentary series focusing on the effects of urbanization, social marginalization and economic disparities in his native South Africa, is about to go on show in a solo exhibition in London.
During pilgrimages to his native Hale County, Alabama, William Christenberry has recorded the changing appearance of the region’s natural landscape and vernacular architecture in diverse formats and media since the early 1960s. The work is shown for the first time at New York’s Pace/MacGill Gallery, in an about to launch exhibition.
For his latest conceptual art project, Swiss photographer Roger Eberhard has travelled five continents and visited 32 cities where he booked the standard double room at the local Hilton hotel.
When Alnis Stakle first took up photography, he was faced with a rigid conception of the medium. In Latvia in the 1990s it was largely considered a commercial craft, he says, with any more artistic ambitions restricted to banal nudes and sunsets. But for Stakle photography is “a kind of religion”, which has the power to change our relationship to the world.
In the eighteenth century, the Kings of Siam found an ingenious way of excluding a…
It’s cost the taxpayer £15 billion, it stretches for 26 miles, and it has unearthed artefacts from eight thousand years of London’s history. The British photographer Simon Norfolk, on commission for National Geographic Magazine, went 40 meters beneath the streets of London to photograph Crossrail.
French photographer Mathias Depardon first visited Baku in 2012, shooting human rights issues at the…
