Reports, statistics and articles are all invaluable resources. But the power of the image is universal. Through photography, we can help translate the reality of climate change to both public and private sectors — celebrating all that we have to protect, and cautioning all that we have to lose.
Decade of Change curates some of the world’s most powerful creative responses to the climate crisis in an internationally-touring exhibition. Past venues have included Hong Kong’s Museum of Climate Change and the Nest Summit as part of New York Climate Week.
Decade of Change is a cross-sector initiative, uniting prominent figures in art, politics, research and activism. Last year’s jury included Angela Glienicke, picture editor at Greenpeace; Miranda Massie, founder and director of the Climate Museum, NY, and Terry Tamminen, former CEO of the Leonardo DiCaprio Foundation.
“There is a transformational potential that comes through the arts, the painted canvas or the power of the camera that is not achieved by other tools”
— Christiana Figueres, global climate leader & architect of the Paris Agreement, in conversation with BJP
Former CEO, Leonardo DiCaprio Foundation
Reporter and Video Producer, Visual Investigations Team, The New York Times
Picture Editor, Greenpeace
Founder and Executive Chairman, CDP
Tim Brooks
Vice President of Environmental Responsibility, Lego
Asia & Pacific Video Producer, 350.org
Director and Founder of the Climate Museum, New York
Decade of Change 2021 is split between three categories: the Series Category, the Single Image Category and the Moving Image category. Across all three, the brief is broad and wide-ranging, inviting work that both immediately relates to the climate crisis as well as subject matter that is more indirect.
Possible themes to consider include people and the anthropological causes/effects of the crisis; action and protest; urban life, and the ways in which cities and towns are implicated; the natural world and changing life underwater, on land and above air; questions of science, progress and innovation; possible futures, or something altogether more conceptual or abstract.
Following her exhibition of the winning series Atlanta Made Us Famous at TJ Boulting gallery in London, the Dutch-Moroccan photographer delves into the work and speaks candidly about navigating the music photography industry as an early-career photographer
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The winners of this year’s award explore culture, identity, motherhood and more, visualising powerful stories in striking new ways
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Winner of the BJP International Photography Award 2019, Jack Latham discusses his latest photobook Latent Bloom — which seeks to visualise how machine learning adapts and transforms every engagement we have online
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Joint runner-up for the BJP International Photography Award 2020, Giulia Parlato creates a forged archive of historical artefacts to question our understanding of the past.
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Joint runner-up for the BJP International Photography Award 2020, Elena Helfrecht’s Plexus considers how trauma ripples through familial generations in an abstract series of still lifes
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BJP delves deeper into the compelling curation of contemporary photography on show at Seen Fifteen Gallery until 22 May
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Winner of the BJP International Photography Award 2020, Lhuisset parallels the heroism of Kurdish guerilla fighters in Iraq with their plight once they come to seek refuge in Europe
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In the second of our interviews with BJP IPA 2019’s judges, we meet Sarah Allen.…
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Under the back garden of an unremarkable family home in Las Vegas is an extraordinary 16,000sq ft, all-pink, bomb-proof bunker. Inside are decadent bedrooms decorated with crystal chandeliers and baby pink wallpaper, and a bathrooms with a hot-pink toilet, white marble hot tub, and opulent golden fittings. Surrounding the house is a hand-painted mural of the countryside, and an underground garden with a swimming pool and fake trees growing out of a carpet that stands in for grass.
“It’s basically a house within a house,” explains Juno Calypso, who spent three days of solitude in the bunker, for her project What To Do With A Million Years. Designed to be safe from any disaster or intruder, the bunker was built in 1964 by Avon cosmetics founder Gerry Henderson and his wife, who were terrified of a potential nuclear breakout in the advent of the cold war.
Calypso is currently showing the series at London’s TJ Boulting gallery, and has transformed the basement space into a version of the garden, complete with fake plants, eerie mood lighting, and a soundtrack of soft romantic rock that plays against the continuous sound of running water from a stone fountain in the corner.
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The winners of the International Photography Award 2018 are Copenhagen-based collective Sara, Peter & Tobias,…
Read More →Entry to Decade of Change is part of our Access Membership offering. Join our community today and claim your full entry to Decade of Change.
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Please note that most codes are time-limited. If the deadline for using your code has passed, it will not be usable.
Sorry, but all entry fees are non-refundable, as stated in the terms and conditions that you accepted on entry.
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If your images have uploaded correctly you will see a small version of each photo on the entry page, alongside the caption you entered. If you cannot see your photo, then your image has not uploaded correctly. If a caption has been stored but no image, you can delete it using the Edit option.
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We can only accept images that are uploaded using our entry system. This ensures that each one is logged with your entry details, and made available to our judges.
Either the competition deadline has passed, or you have previously submitted your entry to the judges. In order to do so you will have read a notice warning you, and ticked a box confirming your understanding, that doing so would prevent you from making any further changes.
Please note that maximum lengths that apply to these texts. The length limits are noted on the form used to enter them and are given in characters (letters), not words.
The Submit button appears at the top of your entry page once you have uploaded at least one image.
Your entry will be confirmed on a web page after submitting, and then we will send you a confirmation email, and your images (along with their captions, statements etc) are stored, ready to be viewed by the judges.
No, once your entry has been submitted you may no longer alter it in any way.
I’m afraid this isn’t possible – our system receives thousands of images, so we can’t check individual ones. Please ensure that you are happy with your images and statement before submitting it.
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Your entry confirmation email includes your selected category
Professional and non-professional photographers from all over the world are eligible to enter.
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Entries can be shot using any camera model (film or digital) or electronic device, and images may be portrait, landscape or square in format.
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1854 Media reserves the right not to show the submitted work
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Each entrant will be deemed to warrant that they own the entire copyright for the work or that they have permission from the licensee and/or copyright owner/s for the uses.
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Each video must be a maximum of 10 minutes. All submissions must be made by providing a link to a video platform. Please do not upload videos to the system.
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Each image can be a maximum of 10MB in size. All images must be submitted as JPEG files – any files submitted in any other format (including TIFF, PDF, PSD etc) will be discarded.
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You may submit a title (200 character limit) and caption (750 character limit) for each photograph entered. For the Stories Category, you can also provide an artist’s statement (1000 character limit). All accompanying text must be written in English.
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The deadline for entries is 2 December 2021 23:59 (UK Time).
Judging will take place shortly after the deadline.
Entrants have an additional 24 hours following this deadline to finalise and submit their entry.
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Once your images and captions have been uploaded to the system you will see an option to submit your entry. Once submitted, your entry cannot be altered. Only submitted entries will be viewed by the judges.
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The winners must be available to supply high-res files promptly for exhibition purposes.
Digital files of the winning images will be created for press and publicity purposes.
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1854 Media & British Journal of Photography cannot be responsible for any loss or damage to submitted work.
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No copyright is transferred to 1854 Media & British Journal of Photography in respect of any work entered or accepted.
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1854 Media & British Journal of Photography reserve the right to display, reproduce and publish in any media, any entry, without payment, for the sole purpose of Decade of Change – this year and in future – and its promotion and publicity.
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1854 Media will organise and cover costs from the framing, printing, curation and production of the Decade of Change show.
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A selection of images will be published through 1854 Media & British Journal of Photography digital channels.
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You will be asked to pay for your entry by Credit Card. All payments are handled securely by our payment partner Stripe. After payment, you will receive an email containing a personal upload URL, where you may submit your images and statement.
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All entry purchases are final. Having purchased an entry, it is your responsibility to upload and submit your images and statement before the deadline. No refunds will be issued.
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In order to receive your award status, you must be subscribed to the Awards Communications list on our mailing system. If you have not received your status after the deadline, you must simply resubscribe by filling out a form to our newsletter list.
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Please note that 1854 Access members entering awards as part of their membership (as opposed to a paid entry) will be required to remain a member throughout the periods when awards are judged and exhibitions/outputs are planned, for their entries to be eligible.
All entries are subject to 1854 Media’s General Competition Terms and Conditions.
