In their recent film, Metamorphosis, the IQECO represented this blurry, bright vision of a queer utopia through the specific form of a gynandromorphic swallowtail butterfly, an exceptionally beautiful insect that simultaneously exhibits male and female patterning (especially evident in this species because of sexual dimorphism). Through CGI rendering, this insect is reanimated to give shape, metaphorically, to the world we want to see emerge from a process of holistic transformation. If ‘climate change porn’ in the vein of melting glaciers and a flaming Amazon forest succeeds in pandering to the pathos, only the energising power of metaphor can act as a catalyst for hope.
In the IQECO’s multiform practice, metaphorical distillations of queer and anti-speciesist theory are brought to life by the immersive power of 3D art, conceptual photography and video narration where cellular reality and speculative fantasy become indistinguishable. Without being active agents themselves, these imaginative visual catalysts can move pieces around, transforming them along the way, argues Baird. “Of course, sometimes ingredients are missing, or the timing isn’t right, or there’s a missing link in the chain, so the more catalysts we make, the better chances we have of making something meaningful and getting somewhere new.” Extolling hope without pragmatism in times of unprecedented crisis is fighting a losing battle, but Pivnik and Baird acknowledge this. “There’s no easy way out of the climate crisis and all its interconnected issues,” they concede. “It requires a colossal, global, and immediate effort—but hard work is always a little easier when you have a dream and something bright on the horizon.” Facing head-on the spectre of an unknown future is, no doubt, more fruitful for the hopeful than the disenchanted.