BJP: Why do you think photography is such a powerful weapon in the fight against climate change? How can we utilise it?
AMG: Nowadays, we create and consume more images per day than ever before. The Internet has made it possible for a photograph to reach millions of people in seconds, and this has advantages and disadvantages.
We have seen too many images about climate change mixed with selfies and holiday pictures that in a way we’ve trivialised them. I think that the role of artists in the Anthropocene is finding new ways to motivate real action in society, and creating links between science and the general public.
We’re visual creatures, and photography is a powerful tool to educate people about the degradation of the environment and how they can contribute to the fight against climate change. An example of this is the app iNaturalist which is a citizen science project, where everybody can contribute pictures of animals or plants. These images can help scientists track biodiversity.
Also, I always mention the Hydrous project, which is a non-profit scientific organisation, whose goal is to create open access to oceans. They combine photogrammetry, 3D printing, virtual reality, and expeditions to track coral health and share the marine environment through sensory and immersive experiences. The co-founder Sly Lee explained the method they use to register 3D data. The equipment they use (an average underwater camera) is relatively cheap, so any amateur diver could help scientists study the seas. The tourism industry is one of the leading causes of climate change. If diving tours could contribute photos, we could temper that environmental impact with up-to-date data.