“One of the main things we wanted to address is that there are so many small narratives,” says the Manchester-based publishing company, who are calling for photographers and writers to submit their stories
In the southern Austrian state of Carinthia, photographer Arnold Pöschl photographed his wife’s grandmother as they caught up through a glass window to prevent infection, and captured residents as they played music from their balconies to lift the spirits of their quarantined neighbours. In Shanghai, China, Jack Springthorpe documented tourists gathering at the city’s unusually quiet skyline before the nationwide lockdown, and along the borders of Italy, Matteo de Mayda began to document the temporary structures used to enforce Slovenia’s border control.
These are some of the stories that are being gathered for the COVID-19 Archive, an ongoing online project from PublicSource, the Manchester-based publishers behind photography magazine Then There Was Us. The aim is to feature work by photographers and writers from across the globe who are recording life during the outbreak of coronavirus, (COVID-19).
“One of the main things we wanted to address is that there are so many small narratives, and we want to show a really broad scope of what is happening,” says photographer, lecturer, and designer James Wrigley, who co-founded PublicSource with Jonathan Tomlinson. “The photographs might just be of a temporary border, but you’ll never see these kinds of images again and we want to document that.” After conceiving the idea last week, and coding the website on Friday night after work, Wrigley and the team called on their community to submit images, and so far have uploaded the work of five photographers in China, Italy, US, Germany, and Austria.
“This is an invisible issue,” says Wrigley, who is, to some extent, being selective about the kind of work the website will be uploading. There are bound to be many images of empty streets and supermarkets, but what they are looking for are individual stories, of how photographers and writers around the world are navigating these strange times. They are also looking for written work, and have been in touch with a contributor who is currently writing a quarantine diary.
“We wanted to stay away from adding to the scaremongering,” says Wrigley. “When I saw the videos of everyone in Italy singing from their balconies, I thought, that is such a powerful thing to watch. We are not in a position to help fund artists who are losing money, but this archive is our way of trying to put something positive together.”
Marigold Warner joined the British Journal Photography in April 2018, and currently holds the position of Online Editor. She studied English Literature and History of Art at the University of Leeds, followed by an MA in Magazine Journalism from City, University of London. Her work has been published by titles including the Telegraph Magazine, Huck, Gal-dem, Disegno, and the Architects Journal.