In his new photobook, the Belgian artist questions the nature of fatherhood via the fossils, ravens and corpses of rural Canberra

In his new photobook, the Belgian artist questions the nature of fatherhood via the fossils, ravens and corpses of rural Canberra
The black and white images – of bodies and skin, rocks and the moon, landscapes and birds – are presented in an enigmatic sequence that stirs a sense of the uncanny
Hidden in 1993 by writer and puzzle designer Régis Hauser, the mysterious buried owl has been puzzling treasure hunters for three decades. Enigmatic and surreal, Graham’s latest book investigates the unsolved mystery
“I wanted to direct my photography towards questioning, towards an alternative narrative to the one imposed by the state in the face of terror”
The photographer’s new book, There Is Nothing Under The Sun, uses image and text to critique a silent system that we cannot escape
Following a lively weekend of artist talks, gallery shows and programmes, Anna Sansom spotlights five standouts from the fair
In a project which the photographer began in 2015, his home in Amsterdam becomes the stage upon which to explore the possibilities of photography
The French photographer’s latest book explores Athens as an oxymoronic city, split between its rich mythological history and stark political-economic situation
“I believe that collective memory and individual experience, politics and personal beliefs, are interrelated,” says Yorgos Yatromanolakis, and it’s easy to see why. Born in Crete in 1986, he got into photography in December 2008 because he wanted to document the riots that broke out in Greece after a 15 year-old, Alexandros Grigoropoulos, was shot dead by the police. Shot in grainy black-and-white and printed by Yatromanolakis, the resulting images were later self-published as a book, Roadblock to Normality.
“Roadblock to Normality is a small, personal, but at the same time collective notebook emanating from my participation in political and social movements in my country,” says Yatromanolakis. “It certainly captures, in a subjective way, some critical political events.”