Swimming in symbolism, Hoey’s work speaks to the transience of human life, the passages of time, and the cruel nature of chance
Immersing himself in a district known as Rijnwijk in Arnhem, the Netherlands, Van Cuyk sought to break down the stigma associated with this notorious community
Travelling throughout the Netherlands, Marwan Bassiouni examines Muslim identity through the windows and outside views of mosques
In 2016, Natascha Libbert was commissioned to photograph the sea locks of IJmuiden – large constructions which allow ships and boats access to the Dutch port, and which are therefore of tremendous importance to the economy of the Netherlands, and in particular the port of Amsterdam further downriver. But while they’re important, they’re not necessarily exciting photographic subjects, and some of what makes them significant is hard to pin down visually – as is shown by the phrases and thoughts that the Dutch photographer jotted down in her notebook while working on the project, such as “man-made landscape”, “90 per cent of all trade is transported by sea”, and “at sea, the brain receives 85 per cent less information than on land”.
“I was trained as a sculptor, and this was the first time I had used the camera,” wrote Jacqueline Hassink in the Financial Times in 2011, of her breakthrough project The Table of Power. Between 1993 and 1995 Hassink contacted forty of the largest multinational corporations in Europe, asking to photograph their boardrooms. “I wanted to find a table that symbolised modern society’s most important value: economic power,” she writes. Nineteen refused, while the remaining 21, in Britain, the Netherlands, Germany, France, Switzerland and Italy, eventually agreed.
The book was published in 1996; it was the first time that photographs of these places had been made public, and in the spring of 2009, after the global recession, Hassink decided to revisit the boardrooms. With The Table of Power 2, she examined how boardroom design, revenue and employee numbers had changed over the intervening years.
Hassink, who has died aged just 52, was born in Enschede, the Netherlands, on 15 July 1966. She trained to be a sculptor at the Royal Academy of Art in The Hague, and then at the Trondheim Academy of Fine Art in Norway, but after graduating in 1992, presented herself mainly as a photographer, publishing nine books – including another celebrated title, Car Girls, in 2009. It was shot over five years at car shows across seven cities in three different continents, including New York, Paris, Geneva, Tokyo, Detroit, and Shanghai, focusing in on differing cultural standards on ideals of beauty on the women paid to pose with the cars.
A major retrospective of Hans Eijkelboom’s work is on show at The Hague Museum of Photography until 07 January 2018, including his well-known series of shoppers and his more conceptual work.
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