Reading Time: 3 minutes “Truth is the main enemy of a totalitarian regime and truth destroys such a regime”
Reading Time: 4 minutes To coincide with Female in Focus 2021, Kateryna Radchenko, founder and curator of Ukraine’s only contemporary photography festival, discusses Ukrainian women’s contribution to the medium in the context of the country’s cultural and historical tensions
Reading Time: 6 minutes Publications we loved, and the big news stories from the last month in photobooks, including American Winter by Gerry Johansson, Void’s Hunger project, and JA Mortram’s Small Town Inertia
Reading Time: 5 minutes Our pick of the key stories from the past week, including Paris’ Circulation(s) festival of emerging European photography, the first-ever Kyiv Photo Book festival, and Todd Hido’s Bright Black World
Reading Time: 3 minutes “Such great number of photo books in one place has never been presented in Kyiv before – since the foundation of the city more than 1500 years ago,” says Dmitriy Krakovich, director of the Kyiv Photo Book festival. “The goal of the festival is developing a communication between authors-photographers and publishers from one side, and broad circles of art lovers and photography art lovers in Ukraine.”
The first event of its kind in Ukraine, Kyiv Photo Book festival will feature both local and international photographers, publishers and galleries, with organisations such as MOKSOP (Museum of Kharkiv School of Photography) and Rodovid Press lined up to take part.
Reading Time: 5 minutes “The Soviet Union left a great heritage in various manifestations from architecture to people’s thoughts, and some are struggling to understand the new times,” says 22-year-old Ukranian photographer Vladyslav Andrievsky. “Often, because of this, the youth is struggling to find common ground with the elders.
“It’s obvious that there were many limitations when it came to one’s life or freedom. Today, when thinking about the Soviet Union, we are visualising it the way it could have been, not the way it was. Of course the fact that somebody could have been killed for a painting or a thought is shocking and devastating. Still, we are left with an enormous cultural heritage like art, literature, music, films, and we truly value that.
“Owing to people like Boris Mikhailov we can try to understand what life was like back then,” he continues. “In his book Case History he is showing homeless people like heroes, who are giving their lives for the brighter future of the new generations. As a young person I don’t want to be a let-down. I don’t want to upset Boris.”