Ahead of the opening of Eiko Yamazawa’s first posthumous retrospective in Tokyo, curator Tsukasa Ikegami discusses the importance of the Japanese photographer’s abstract work, and why her legacy has largely been forgotten
Q&A
Anastasia Samoylova’s photobook FloodZone captures the insidious progression of climate change in Florida’s southeastern city
Sepuya’s fragmented studio images undo an archetypal photographic genre
Huhta spent two years creating work in the desolate plains of the Namibian desert. Omatandangole is the result of his journey
“From the earliest iterations of the female form, women have been both empowered and burdened by symbolism. Their body is never just their own. It is forever shared”
Gregory Halpern’s new photobook centers on Omaha, Nebraska, presenting a timely meditation on America and masculinity
A new exhibition considers the relativity of photographic taste, and how something that is a mistake for one generation may become a success for the next
Published on the 100th anniversary of the Bauhaus, Moholy Album offers a new perspective on the work of one of the movement’s central members, László Moholy-Nagy
A new book by photographer-economist duo Chow and Lin uses food to illustrate the daily budgets of those living in poverty
Born in Italy, Luca Desienna has been a freelance photographer since 1998. One of the co-founders of Gomma Books in 2004, he has produced four Gomma magazines plus two publications devoted to black-and-white photography, MONO volumes I and II, working with image-makers such as Roger Ballen, Antoine D’Agata, Trent Parke, Daido Moriyama, and Anders Petersen. Petersen has described Desienna’s personal project My Dearest Javanese Concubine as “a story full of vitamins and warm energy”, and the series was shown at the official selection of the 2012 Arles Voies Off. My Dearest Javanese Concubine is now being made into a book by Gomma Books in collaboration with VOID and BlowUp Press, available for pre-order now and due for publication in May.