“I see my work as a kind of tapestry, which is woven by thousands of threads to create one image”
“I see my work as a kind of tapestry, which is woven by thousands of threads to create one image”
A newly edited and expanded edition of Jōji Hashiguchi’s seminal photobook is published this month. Here, the photographer reflects on his past, and the time he spent documenting the plight of youth in the 1980s
In his first major solo show, Christopher Nunn offers a rare glimpse of everyday life in the Donbas region of eastern Ukraine: “It was very real, people were dying and the region was fractured”
Zouari’s photographs of strange, sinuous forms led him deep into his psyche. They should do the same for us
Bandai reincarnates his series A Certain Collector B within the historic walls of Bologna’s music museum and library
Ahead of the opening of Eiko Yamazawa’s first posthumous retrospective in Tokyo, curator Tsukasa Ikegami discusses the importance of the Japanese photographer’s abstract work, and why her legacy has largely been forgotten
Anastasia Samoylova’s photobook FloodZone captures the insidious progression of climate change in Florida’s southeastern city