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Photojournalism

Aaron Schuman goes Homeward Bound at this year’s JaipurPhoto festival

“It’s amazing how such a seemingly simple, common and universal concept as ‘home’ actually becomes incredibly complicated and difficult to pin down, once you really start to consider it on a personal level,” says Aaron Schuman, curator of this year’s JaipurPhoto festival in India, which is themed Homeward Bound. After discussing with the festival’s artistic director, Lola MacDougall, he discovered that JaipurPhoto was originally established as an “open-air travel photography festival”, a label he was initially wary of. For him, the term travel photography “generally alludes to a type of imagery that’s often rather simplistic, generic, stereotypical or predictable”, he says – but he liked 2017 edition of the festival, which was guest-curated by Federica Chiocchetti and themed Wanderlust.

1 February 2018

A statement from Patrick Witty

The prominent photo editor Patrick Witty was publicly accused of sexual misconduct on 29 January, in a report published on Vox.com by the journalist AJ Chavar. In his report, Chavar stated that Witty, who has worked at National Geographic, Time, Wired, and the New York Times, was investigated for sexual misconduct by National Geographic last Autumn; Chavar’s story added testimonies by women photographers, some anonymous but two named. In response, Witty has released this statement to the media, via his lawyer Stephen B. Pershing.
“I’m deeply sorry that some of my past behavior has been hurtful to women. 
“I was raised by six powerful women – five older sisters and my mother, now 86 – who taught me to respect women and to fight for women. I’ve advocated and championed women’s advancement as photographers and editors my entire career.
“With firm conviction, I deny that I’ve ever engaged in any behavior that amounts to sexual aggression. I also strongly deny ever insinuating that I would give someone professional help – or withhold it – on condition of sexual favors or romantic interest. I’ve never been accused of wrongdoing of any kind in the workplace, so I was shocked and dismayed when I first learned of the accusations against me.

31 January 2018

Prominent photo editor Patrick Witty accused of sexual misconduct

He’s a huge name in the industry, having worked at National Geographic, Time, Wired, and the New York Times (where he was part of a Pulitzer-winning team). But yesterday Patrick Witty was the subject of a long story published on Vox.com, which alleged he was investigated by National Geographic for sexual misconduct last Autumn. The story went on to add that more than 20 people had come forward to Vox.com to report experiencing, witnessing, or hearing corroboratory reports of his inappropriate behaviour.

30 January 2018

The Magnum Photos/BJP 2018 workshops kick off with a guide to editorial assignments

“The Magnum/BJP series of workshops have been extraordinarily rewarding for me,” says Beren Patterson. “Despite being only two intense days per topic, the depth, coverage and expertise from Magnum photographers, industry speakers, and fellow attendees is incredible. I can’t recommend the workshops strongly enough for those wanting to be inspired and grow as a photographer.” Patterson has attended all of the Magnum/BJP workshops to date – and has already signed up for the 2018 series, which kicks off on 17-18 February with session titled Editorial Assignments – How to succeed in the editorial market.

23 January 2018

Sign up for free NOOR masterclasses in Stockholm, Brussels, and Warsaw

It’s one of the best-respected photo agencies in the world, representing image-makers such as Nina Berman, Yuri Kozyrev, and Kadir van Lohuizen – and yet NOOR is offering three four-day masterclasses completely free of charge to “young, aspiring photojournalists and documentary photographers”. Run by NOOR and the NOOR Foundation with the support of Nikon Europe, the masterclasses will take place in Warsaw (26 February-01 March), Stockholm (12-15 March), and Brussels (19-22 March).

22 January 2018

Susan Meiselas on shooting Carnival Strippers

“It’s getting near show time!” the voice would boom out over the cheers of the punters. Susan Meiselas would hover at first near the back of the tent. “Don’t be shy, take your hands out of your pockets, take your money out of your wallets. Rest your elbows on the stage and look up into the whole, the whole goddamn show. Show time! Where they strip to please, not to tease!” Susan Meiselas was 24 when she started Carnival Strippers. It was the summer of 1972, and her photography experience was limited to portraits of her housemates in Cambridge, Massachusetts. She had just completed an MA from Harvard, yet she still was shy and unsure of herself – very unlike the direct intellect of today, who treats Magnum’s offices like second homes.

22 January 2018

Huge Susan Meiselas retrospective goes on show in Paris on 06 February

Susan Meiselas has been a pivotal figure in photography since her career began in the 1970s, a decade when the ethical discussion surrounding the inspiration, intent and dissemination of documentary image-making was rampant. Perpetually questioning the motivation and perception of her images, the American has spent her life grappling with these issues, practising what it means to document something outside of her own personal experience. This spring (06 February to 20 May), Jeu de Paume in Paris presents Mediations, a retrospective revisiting her vast oeuvre, beginning with early portraits that include 44 Irving Street (1971) and Carnival Strippers (1972-75).

17 January 2018

Anastasia Taylor-Lind shows Rohingya women’s dignity amid horror

“Coming back to photojournalism after a couple years of academic hiatus, I wanted to invest my time in projects that could affect change. Simply telling a story in an editorial doesn’t accomplish that,” says Anastasia Taylor-Lind about her determination to cover the Rohingya crisis in Myanmar for Human Rights Watch. The organisation’s mandate is to gather evidence of crimes against humanity and share those records with governments, international agencies and the public. Doing so means relying on collaborations between a diverse group of professionals, including visual storytellers.

16 January 2018