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BJP-online Loves Lei Lei and Pixy Liao win at the 2018 Jimei x Arles festival
bjp-online has been following both Lei Lei and Pixy Liao for a while, so we were happy to see them both win prizes at the Jimei x Arles festival. Lei Lei picked up the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer; Pixy Liao won the Jimei × Arles – Madame Figaro Women Photographers Award. And bjp-online loves the Jimei x Arles initiative in general, which is packed with interesting work by image-makers from China and beyond. Plus six other key stories from the last week

30 November 2018

Lei Lei and Pixy Liao win at the 2018 Jimei x Arles festival

Chinese photographer Lei Lei has won the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer. Born in 1985 and now living in Beijing and Los Angeles, the photographer won with the project Weekend, which uses archive images to consider history, nostalgia, and personal identity. Lei Lei’s previous projects include Hand-coloured, a joint series with French artist Thomas Sauvin which also features archive images, and which was exhibited at the Festival Images Vevey and previously published on bjp-online in December 2017.

Lei Lei was picked out from the 10 photographers shortlisted for the Discovery Award, all of whose work is currently on show in Citizen Square in Jimei, South East China. The other photographers included by the curators Dong Bingfeng, Li Jie, Chelsea Qianxi Liu, Holly Roussell and Wang Yan were: Coca Dai (1976), Hu Wei (1989), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996). 

27 November 2018

Any Answers: Laia Abril

Originally trained as a journalist, Barcelona-born Laia Abril expanded her storytelling methods after studying at New York’s ICP. She is best-known for the first chapter of her long-term project A History of Misogyny, On Abortion, which recently won the Paris Photo-Aperture Foundation PhotoBook of the Year Award and has been shortlisted for the 2019 Deutsche Börse Photography Foundation Prize  

23 November 2018

If Slovenia Were

“What lies behind this project is my particular, unique attachment to Slovenia,” writes Klavdij Sluban, a French photographer of Slovenian origin and curator of If Slovenia Were. “It is an exceptional project in as much as it was born out of the desire to share a stretch of a photographic journey with a group of young Slovenian photographers, quite apart from any institutional, educational or other structures.”

Stemming from a desire to keep in touch with the country of his roots, Sluban began the project with an open call, selecting 18 young Slovenian photographers to take part. Each responded freely to the theme, and have been working on their projects for the past three years, developing them in meetings with Sluban on his occasional visits to the country. The resulting projects include series on expatriates who have emigrated elsewhere, photographers’ personal interpretations of Slovenian family life, and introspective series dealing with the artists’ private experiences.

22 November 2018

Prin Rodriguez on creating a new vision of Peru

Growing up in Peru in a large family “with limited resources”, photography didn’t figure large in Prin Rodriguez’s childhood. In fact her family only got its first camera – a pocket digital camera – when she was finishing secondary school, and was initially firmly against it when Rodrigeuz said she wanted to study photography. “They had the conviction that university education was a way of moving up the social ladder, and that photography did not offer any certainty of this,” she tells BJP. “For my family to have a camera was almost a luxury.”

Despite this Rodriguez persisted, and is now building a successful career in image-making. She’s currently taking part in the VII workshop in Poland, one of only 20 photographers to have been invited to join, and the only one from the whole of Latin America. Her work was recently published on the PHmuseum website, and she has co-founded the Pariacaca collective with fellow photographer Monarca Criollo. 

21 November 2018

Q&A: Sole Satana’s From a Bad Place

Although it is Spanish photographer Sole Satana’s latest body of work, From a Bad Place was conceived several years ago, during a difficult time when she was struggling with anxiety and depression.

Closely related to her personal life, Satana’s photography tells a very subjective story about her take on everyday life. Her images will be on show at the Centro Parraga in Murcia, Spain, as part of a collaborative project between the gallery and collective UnderPhoto. Now in its second edition, the project aims to bring together emerging creators who offer a “deeply personal representation of reality”.

From a Bad Place will be exhibited alongside photography from Satana’s partner in life and work JD Valiente, a BJP One to Watch this year. The couple met when they were teenagers and have been together for 14 years. They often now collaborate on joint projects, such as the story Dead Meat, but this show, titled Parentésis, is made up of two solo series.

19 November 2018

Quentin Bajac leaves MoMA for the Jeu de Paume

Quentin Bajac is leaving the coveted role of chief curator of photography at New York’s Museum of Modern Art for a new job in Paris – director of the Jeu de Paume. He succeeds Marta Gili at the Jeu de Paume, who announced in June that she would resign as the museum’s director after 12 years in the role. MoMA has stated that it will “immediately launch a search for a new chief curator of photography”, a role first made famous by John Szarkowski from 1962 to 1991.

16 November 2018

50 years since PROVOKE: reprinting the radical Japanese photo magazine

“How to fill the gap between politics and art? This is both an old and a new problem,” writes Takuma Nakahira, in the afterword to PROVOKE no.1, published 50 years ago this month. Led by some of Japan’s best-known photographers and art critics – including Takuma Nakahira, Koji Taki, and iconoclast Daido Moriyama, who joined from the second issue – the magazine stemmed from the anger and discontent that they felt towards the post-war world. Though it survived only three issues, and was criticised at the time, it is now widely recognised as a ground-breaking publication in the history of contemporary Japanese photography.

The magazines were printed in 1968 and 1969, both turbulent years for politics which featured the May 1968 riots in Paris; the assassination of Martin Luther King Jr and the anti-Vietnam protests in the US; the end of the Prague Spring. In Japan, 1968 was the year that a string of violent student uprisings forced many of the top universities to close.

16 November 2018

31 women to watch out for

Now in its second year, the PHmuseum Women Photographer Grant has a simple premise – to recognise and award world-class photographers, who also happen to be women. Judged this year by a prestigious panel including Magnum photographer Alessandra Sanguinetti and The Photographers’ Gallery senior curator Karen McQuaid, the Grant has two main sections – The Women Photographer Grant and the New Generation Prize for those under 30 years of age. BJP takes a look at those who have made the shortlist.

15 November 2018

Q&A with Nataal: the media brand championing contemporary African culture

Nataal.com was born in 2015 as a platform to communicate the creativity coming out of Africa. It was launched by Sara Hemming, former art director at AnOther, Helen Jennings, former editor at Arise magazine, and Senegalese actor and director Sy Alassane. Focusing on fashion shoots, long form features and visual essays, Nataal collaborates with emerging artists around the world who are shaping global narratives around African culture.

This year, Nataal published its first annual print magazine, built around the theme “Future Gaze” and containing 336 pages of photography by well-known artists such as Viviane Sassen, Lorenzo Vitturi and Ayana V Jackson, as well as commissions by up-and-coming photographers such as Arielle Bobb-Willis. The photography is accompanied by in-depth editorials covering a range of topics including fashion, visual arts and music, as well as a short story by American-Ghanaian writer Nana Ekua Brew-Hammond, and articles about contemporary African culture and business.

BJP spoke to creative director Sara Hemming and editorial director Helen Jennings about Nataal media and why photography is so integral to their magazine.

7 November 2018