As identified by the UN in the 2013 General Comment on Article 31 – the Convention on the Rights of the Child – a child has a universal human right to play. A new exhibition of photographs, as well as a symposium and photobook, by photographer Mark Neville, aims to generate debate around the complex nature of child’s play, and to advocate for improved provision for this universal right.
A recent release brings together over 400 images by the German photographer Peter Lindbergh. Drawn from his work in fashion, culture and urban environments, the book’s release coincides with a major retrospective in Rotterdam, The Netherlands. Here BJP investigates a collection curated by Thierry-Maxime Lorio which seeks to posit Lindbergh as the progenitor of a ’different vision on fashion photography’.
“We today can do everything, so long as we do not imitate Europe, so long…
Danny Lyon once said: “The use of the camera has always been for me a tool of investigation, a reason to travel, to not mind my own business, and often to get into trouble.” A wide-ranging retrospective of the renowned American documentary photographer is about go on show at Beetles + Huxley, London.
The Contemporary Art Society acquires works by John Akomfrah and Kader Attia at Frieze London. The works address themes of colonisation and migration, and will be donated to Middlesbrough Institute of Modern Art – the area of the UK with the highest number of asylum seekers.
Fighting Walls: Street Art in Egypt and Iran, a new exhibition at New Art Exchange in Nottingham, explores how the walls of public spaces in Tehran and Cairo have become sites for socially engaged graffiti artists entering into a dialogue with the authorities.
Anywhen, a new AV installation by French photographer and artist Philippe Parreno, will transform Tate Modern’s Turbine Hall this October, “guiding the public through constantly changing stages of light, sound and moving elements.”
The only photography venue in the UK exclusively devoted to documentary photography, Side Gallery closed in 2015 for a major redevelopment. Last summer 60,000 people came to see For Ever Amber, the retrospective of the extraordinary AmberSide Collection at Newcastle’s Laing Art Gallery. Finally after a year and a half, Amber has got its gallery back, representing a new chapter in the film and photography collective’s history.
Dracup was given access to the Mercer Art Gallery’s collection of Victorian photographs and invited…
This is the question explored in Making Memeries, the travelling installation created in collaboration between…
