The Dutch photographer’s epic Imperial Courts project, which was shot over 22 years, impressed the judges with its “affirmation of photography’s power to address important ideas through pure image”
The Dutch photographer’s epic Imperial Courts project, which was shot over 22 years, impressed the judges with its “affirmation of photography’s power to address important ideas through pure image”
The ten winners are: Carl Bigmore, Georgs Avetisjans, Kazuma Obara, Lua Ribeira, Martin Seeds, Matthew Broadhead, Michael Vince Kim, Monica Alcazar-Duarte, Sam Ivin and Sian Davey.
“Taking someone’s portrait is always a disruptive and often very awkward event. Everyone has their default portrait pose. The role of the photographer is to push beyond, to find that mysterious intimate moment that only a camera can freeze.”
Magnum photographer Chris Steele-Perkins is currently showing classic work in London, in the prestigious agency’s headline anniversary shows. But he’s also showing his most recent project, The New Londoners, at a Photo London fringe event – the Fix Photo Festival
“With this exhibition FOAM is trying to form a vision of how contemporary photography is shaped by young photographers,” says Mirjam Kooiman, curator at the FOAM Fotografiemuseum Amsterdam. “These artists have already made really good work, and they have a lot of potential.”
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
The small but perfectly formed Polish festival returns, with an eclectic, innovative programme curated by UK artist and Photoworks magazine founder Gordon MacDonald that includes exhibitions on dancing, war and UFOs
Britain’s biggest photo fair is now an established event – so it’s organisers are pushing the boundaries this year with a headline show by Taryn Simon and more work by cutting-edge artists
“The series toys with the question regarding the necessity of travelling to a place that has been photographed innumerable times, the need to record additional photographs,” says the artist. “If countless images of a specific place are readily available, has one been there already?”