Documentary

Winner of the 2017 Firecracker Photographic Grant revealed

“Between colonialism and cosmopolitism, between a sense of not belonging and their nationality, many use the word Schizophrenie to describe how it is to construct their identity in the middle of two antagonistic cultures,” explains Carolina Arantes. Her project, First Generation, follows the lives of young Afro-French women living in the Parisian suburbs as they overcome prejudices and culture clashes. It has now been awarded the 2017 Firecracker Photographic Grant, securing Arantes £2,000 to help her complete the project.

1 September 2017

Landskrona Foto Festival reclaims the city from 08 September

“Our ambition is that Landskrona becomes the capital of photography in Scandinavia,” says photographer and festival curator Jenny Nordquist. “We want photography to manifest itself in public spaces, from shop windows to parks and old buildings, and become a perceptible part of experiencing the city. This is both an open invite for the visitor to discover the city and a practical consideration about what public spaces – so often privatised by advertising or market economics – can and must be.” The fifth edition of the Lanskrona Foto Festival opens from 08-17 September, co-curated by Nordquist and the legendary VU’ founder Christian Caujolle.

1 September 2017

Burberry hosts a star-studded, three-floor documentary show

Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October

30 August 2017

Workers' playtime as the Fotomuseum Winterthur takes on hobbies

“The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, focussing both on the photography of hobbies and photography as a hobby,” write curators Pierre Hourquet, Anna Planas and Thomas Seelig of the forthcoming show at the Fotomuseum Winterthur, The Hobbyist – Hobbies, Photography and the Hobby of Photography, which opens on 08 September. It’s a fair but also deceptively simple summary of this intriguing show, which is backed up by a busy events programme and a magazine (in place of a catalogue). “A phenomenon as diverse and participatory as the hobby can hardly be tackled through a classical exhibition alone,” write the curators, and the magazine reflects some of this diversity, including images by photographers such as Alberto Garcia-Alix, Bruce Davidson, Alec Soth, Mike Mandel, Ricardo Cases, and Kirill Golovchenko, vintage adverts for TVs, cameras and videotape recorders, an extract from Theodore W Adorno’s test The Culture Industry, a Q&A with Jeremy Deller and Alan Kane on their Folk Archive, and essays by contemporary cultural theorists such as Olivia Baeriswyl, Therese Steffen, and Doris Gassert.

29 August 2017

Jack Orton's oblique take on architecture and the built environment

The 22 year-old has shot Poundbury and Milton Keynes, among others, to pick out how we shape the environment – and how it then shapes us. “I quickly realised the importance of human presence within these urban environments; how we change them over time and how the environment changes us.”

28 August 2017

Montreal's Momenta Biennale and the unreliability of the image

For its 15th birthday, North America’s leading photofestival takes on a new name. Momenta: Biennale de l’image is designed to denote a more studied approach than the previous Month of Photography identity and is entirely in keeping with the direction of the festival – in recent years, under the creative direction of artists, curators and academics including Joan Fontcuberta, Paul Wombell and Marie Frase, it has addressed themes such as the ‘post-photographic’ condition and the impact of automation in image-making. This year’s invited curator is Ami Barak, a French visual authority.

22 August 2017
Raw and compelling narratives of our time from today’s leading documentary photographers.