FullBleed hear from photographers Gabriele Galimberti and Paolo Woods about the challenges of photographing different tax havens around the world.
Documentary
The camera is like a divining rod and I have lived my life letting instinct show me what I am interested in, says Joel Meyerowitz, who quit his job in advertising in 1962, after seeing Robert Frank at work. A native New Yorker, he became known for his early colour work on the city streets
“I’ve tried to create something different to the other Street Photography events out there, this…
“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s…
“I have to be scared, because the moment I’m not scared it might be dangerous.” Miki Kratsman has found himself in a number of difficult and dangerous situations over the course of his 33 year career photographing the Israeli-Palestinian conflict. In that time, he has repeatedly changed his approach to create different narratives, showing not only the danger in the region, but those brave enough to stand up to the attacks, the pernicious nature of surveillance and latterly creating a Facebook community to share news of what has happened to the subjects of his photographs.
Elliot Erwitt was just 22 years old when he was commissioned to shoot Pittsburgh, Pennsylvania…
“I’ve just about had enough of photojournalism. What I find most disheartening is the staunch anti-intellectualism; an almost complete lack of self-awareness, with severe consequences in today’s world of ‘alternative facts’. We don’t trust what we see. Why is that?” asks Donald Weber, originally a trained architect but now a leading thinker with four photobooks to his name
The international photography festival in Croatia celebrates its ninth edition, hoping to unite audiences in a ‘divided’ world with its eclectic programme, which includes a Pieter Hugo retrospective; Dana Lixenberg’s award-winning Imperial Courts; and Dragana Jurisic’s elegiac pilgrimage through the former Yugoslavia, YU: The Lost Country
FullBleed.TV get up close and personal with Wallace, following him as he captures the ultra-rich using his debated ambush street photography style – offering a revealing glimpse into their frivolous world.
My advice to younger photographers is not to be a photographer but to be a human says Anders Petersen, the Swedish image-maker behind the celebrated photobook Café Lehmitz