Documentary

Looking to the future at Unseen Amsterdam

It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.

The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.

7 September 2018

New East Photo Prize 2018 shortlist announced

Projects exploring mysterious religious rituals in Russia, Soviet health resorts in Poland, and Ukrainian school graduations all feature on the shortlist for this year’s New East Photo Prize. Including 16 photographers from Latvia, Romania, Ukraine, Poland, Hungary, Russia, Croatia, Slovakia and Azerbaijan, the shortlisted series will be exhibited as part of a group show this autumn. 

“Each of the shortlisted photographers demonstrate a unique approach to the people, places and stories that shape the region,” says Ekow Eshun, creative director of Calvert. “The prize has proven itself once again to be an important space for emerging photographers to gain international recognition, and we look forward to working with each of them in the exhibition and beyond.”

5 September 2018

Laura Morton’s Wild West Tech

In Dave Eggers’ novel The Circle, recent graduate Mae Holland joins a highly successful social media corporation in California. The Circle, as the company is named, demands 24/7 loyalty from its staff but, seduced by its power and glamour, Holland is quickly drawn in and starts sleeping at the on-site dormitory and almost exclusively hanging out with its employees. By the end of the book things have taken a dystopian turn, and The Circle has morphed into a totalitarian regime, governed by slogans such as ‘Privacy is Theft’ and ‘Secrets are Lies’, poised to take over the world.

It’s a compulsive read, and is currently being turned into a film starring Emma Watson and Tom Hanks, so you’d think it would be required reading for young entrepreneurs relocating to San Francisco to set up their own tech businesses. Photographer Laura Morton agrees, but says most of them have never heard of the book. “You have to understand, most of them are completely dedicated to their work,” she says. “They have to launch faster than the next guy, quickly scale up their business… They’re not looking outward a lot.”

3 September 2018

Laura Morton wins the 2018 Canon Female Photojournalist Award

American photographer Laura Morton has won the 2018 Canon Female Photojournalist Award. The award gives her €8000 funding towards a new project, which will be exhibited at the 2019 Visa Pour l’Image festival.

Originally trained in Political Science and Journalism, Morton has previously shot projects on FARC guerrillas in Colombia, the segregation and oppression of Pashtun women in Pakistan, and military sexual assault survivors in the US, and her project on young tech entrepreneurs in San Francisco, Wild West Tech, was funded by the Magnum Foundation and published in BJP’s April 2016 relaunch issue. But she won the award with a pitch for a new project titled University Avenue, named after a road which runs through two very different districts of her home town, San Francisco.

3 September 2018

Obituary: Erich Lessing, photographer, 1923-2018

“I never thought of myself as doing anything other than telling stories,” said Erich Lessing. “The camera became the medium through which I did that, but I don’t carry a camera everywhere I go. To me, it is simply the means to a very specific end. I observe the world through my eyes and not through the viewfinder of a camera. I don’t interpret, nor do I adjust anything in the dark room. I am a realistic photographer.”

They’re modest words from a man who created iconic images of the 20th century, and who was a member of Magnum Photos for well over half a century. His photographs of the Hungarian revolution in 1956 were seen around the world, as was his shot of the presentation of the Austrian State Treaty on the balcony of the Belvedere palace in front of a cheering crowd in 1955.

30 August 2018

Taylor Wessing Photographic Portrait Prize shortlist announced

Photographs of a woman holding her baby, two shoppers, a drum majorette, and a child from a remote village in Sierra Leone have all been shortlisted for the National Portrait Gallery’s prestigious Taylor Wessing Photographic Portrait Prize this year. The prize winners will be announced at an award ceremony at the NPG on 16 October, with the overall winner receiving £15,000 and other cash prizes awarded to the shortlisted photographers at the judges’ discretion.

Two of the images were shot in London, with Max Barstow behind a striking photograph of two women in a busy shopping street in the city centre. The image comes from his series Londoners and in it, he says, his aim has been to “make unposed portraits with the intensity of images made by great studio photographers such as Richard Avedon and Irving Penn”.

30 August 2018
Raw and compelling narratives of our time from today’s leading documentary photographers.