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Competitions

Silvia Rosi and Theo Simpson win the UK’s Jerwood/Photoworks Awards

Reading Time: 3 minutes Silvia Rosi and Theo Simpson have won the UK’s Jerwood/Photoworks Awards for emerging photographers. Each receives £10,000 to make new work plus an additional fund of £5000 and print support from Spectrum Photographic, plus high-profile mentoring and a two-person exhibition that will start at the Jerwood Space in January 2020 and travel throughout the UK.

Born in 1992 in Scandiano, Italy, Rosi is a Togolaise/Italian artist living and working in London. Graduating from the London College of Communication in 2016 with a BA in Photography, she makes work that references the West African studio portrait to explore her family and its experience of migration. Born in 1986 in Doncaster, Theo Simpson lives and works in Lincolnshire, UK, and has shown his work at institutions such as FOAM in Amsterdam, and Webber Gallery, London. His work considers the long game and the transformations of the globalising world, and has previously been published on bjp-online www.1854.photography/2017/02/theosimpson/

Maria Sturm wins the 2018 PHmuseum Women Photographers Grant

Reading Time: 12 minutes “It’s a bit hard to find words for this – You don’t look Native to me won the PHmuseum Women Photographers Grant,” says Maria Sturm. “I feel exponentially happy and glad to be sharing the list with other women photographers whose work I admire.”

Sturm has won the prize in a strong year for the PHmuseum Women Photographers Grant, with the 31 shortlisted photographers including Magnum Photos’ Diana Markosian, Sputnik Photos’ Karolina Gembara, and Taylor Wessing Photographic Portrait Prize-winner Alice Mann. But her long-term project You don’t look Native to me, which shows young Native Americans in Pembroke, North Carolina impressed the judges with its sensitive approach to its subjects.

MACK’s First Book Award opens to all

Reading Time: 6 minutes It’s free to enter, anyone from anywhere can enter, it’s helped launch photographers such as Paul Salveson, Joanna Piotrowska, and Emmanuelle Andrianjafy, and its winner is announced at Photo London and publishes a book with the prestigious MACK. It is the First Book Award, and in just eight years it’s become a firm fixture on the photobook calendar – and yet so far it’s only received 300 or so submissions per year. How come?

Well, until now MACK has organised it with the help of an international panel of nominators, meaning that only those photographers recommended by this group of curators, editors, and educators could get involved. But now all that’s changed, with the first-ever open-entry First Book Award accepting dummies from anyone who wants to submit. “One of the things we are attempting to remove is the notion that unless you’re connected, unless you’re in the know and have contacts in that sphere, you can’t go forward,” says Michael Mack, founder of MACK. “We want to discourage that idea.”

Lei Lei and Pixy Liao win at the 2018 Jimei x Arles festival

Reading Time: 3 minutes Chinese photographer Lei Lei has won the Jimei x Arles Discovery Award, giving him 200,000 RMB plus a spot in Arles’ prestigious Discovery Award exhibition and competition next summer. Born in 1985 and now living in Beijing and Los Angeles, the photographer won with the project Weekend, which uses archive images to consider history, nostalgia, and personal identity. Lei Lei’s previous projects include Hand-coloured, a joint series with French artist Thomas Sauvin which also features archive images, and which was exhibited at the Festival Images Vevey and previously published on bjp-online in December 2017.

Lei Lei was picked out from the 10 photographers shortlisted for the Discovery Award, all of whose work is currently on show in Citizen Square in Jimei, South East China. The other photographers included by the curators Dong Bingfeng, Li Jie, Chelsea Qianxi Liu, Holly Roussell and Wang Yan were: Coca Dai (1976), Hu Wei (1989), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996). 

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