Reading Time: 3 minutes In 1990, Gideon Mendel left a box of negatives in his friend’s garage in South Africa. Now, 30 years later, the damaged negatives are reincarnated in a photobook
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Reading Time: 5 minutes Sophy Rickett’s latest project delves into the life and work of Thereza Dillwyn Llewelyn, a little-known Victorian artist and astronomer, who lived in Wales
Reading Time: 3 minutes BOP Bristol 19, hosted by the Martin Parr Foundation and the Royal Photographic Society, will bring together 26 publishers, plus a series of artist talks
Reading Time: 3 minutes “I thought it was a joke,” says Ezio D’Agostino, about the moment he learned of…
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Reading Time: 5 minutes Cigarettes are considered the most marketed consumer product in history. And yet, beyond the normalised…
Reading Time: 2 minutes The inaugural award calls for entries from unpublished photographers, with the winning work to be edited, designed, and distributed by the ICP/GOST imprint, along with an exhibition at ICP’s new space in New York
Reading Time: 5 minutes More than 250 photographs by one of Il Mondo magazine’s most esteemed contributors in the 50s and 60s go on show in Rome this month
Reading Time: 3 minutes Alys Tomlinson’s Ex-Voto book is the culmination of a five-year journey across Catholic pilgrimage sites…
Reading Time: 14 minutes “A festival is about taking risks,” says Louise Clements, founder and director of Format International Photography Festival, which returns this year to celebrate its ninth edition. “Festivals can come and go, but to sustain something for so many years, you have to work out how to make it valuable for its participants and its audience, by giving people something to work towards.”
The city of Derby, in the UK’s post-industrial Midlands, is not large, but over the last 15 years the biennial event has helped place it on the cultural map. Over the course of each festival some 100,000 visitors will gather there – the city’s compact size lending it some advantages. “Derby is small, like Arles [whose 50-year-old Rencontres photography festival remains the blueprint], so there is this critical mass-like feeling,” says Clements. “People are likely to bump into each other, see our bags and totes – the guides see and integrate them, for example, when we work with the local microbreweries.”