In this event, the photographer reflects on his latest project, as he documents the invisible, ever present phenomenon of gender.

In this event, the photographer reflects on his latest project, as he documents the invisible, ever present phenomenon of gender.
Curated from an open-call by William Lakin and Sophie Gladstone, the online exhibition features work by 38 graduates
Informed by his experience as a millennial Western man, Lakin mediates on dated yet prevalent masculine stereotypes
With so much to see condensed into one city over the course of five days during Paris Photo (09-12 November), you’d be tempted to skip round the 149 galleries lining the elegant, glass-topped halls of the Grand Palais in a couple of hours, or even miss the main event altogether, as many do. That would be a mistake. You won’t get a better snapshot of what constitutes saleable photography in 2017, from the blue-chip North American dealers such as Gagosian, Pace MacGill and Howard Greenberg, to the work of younger artists championed by the likes of Project 2.0, Trapéz and Taik Persons. And eavesdropping on the sales patter can be a real an eye-opener.