Tag: Milan

WFH #1: Bruno Ceschel in Milan

Reading Time: 12 minutes In the first of a new series talking to visual creatives about life in lockdown,…

14 May 2020

Q&A: Almanacco Toilet Club by Valentina Neri

Reading Time: 7 minutes 27-year-old photographer Valentina Neri’s first book, Almanacco Toilet Club, is playful and bold – just like her subjects. Shot between 2014-2016 in one of Milan’s most important gay clubbing spots, Almanacco Toilet Club captures the scene’s colourful atmosphere and eccentric characters. BJP catches up with Neri about the book’s experimental design, her process, and Milan’s LGBT community.

1 March 2019

Photo Vogue Festival: embracing diversity and the many shades of masculinity

Reading Time: 9 minutes Diversity has never been hotter in the fashion industry. This year, more non-white, plus-sized, and transgender models have walked the runway than ever before, and a record number of black women have appeared on the covers of glossies worldwide. Alessia Glaviano, senior picture editor at Vogue Italia and director of the Photo Vogue Festival thinks we owe it to the internet. “I believe that nothing would have happened, or not this fast, in terms of inclusivity, if it wasn’t for social media,” she says. “It’s a progressive platform for talking about race, identity, sexuality, and disability.”

But diversity isn’t just a trend, it’s a reality. Years before #diversity began to take off, forward-thinking publications such as Vogue Italia were already poking holes in the industry’s representation problem, with initiatives such as the July 2008 “all black” issue. Vogue Italia is known for being adventurous, for setting a standard for cutting-edge fashion photography. Over the years has given artistic freedom to commissioned photographers such as Steve Meisel, Ellen von Unwerth and Miles Aldridge, who have shot stories unlikely to be seen elsewhere, engaging with themes such as plastic surgery and domestic violence.

“It’s been in our DNA since the beginning,” says Glaviano. “We’ve always been really engaged and committed to this part of fashion that can be very strong and influential.

“I’ve never believed in boundaries and labelling things,” she adds. “No one cares that Michelangelo was commissioned to create the Sistine Chapel. What they care about is the final result.”

15 October 2018