From late-19th century manuals to the “golden era” of the 1980s, this mammoth publication illustrates how photo magazines shaped the development of the medium in Japan

From late-19th century manuals to the “golden era” of the 1980s, this mammoth publication illustrates how photo magazines shaped the development of the medium in Japan
Following a chance encounter with then-director Sam Stourdzé, the Canadian photographer’s series Murder secured a spot at Croisière
Alnis Stakle, Latvian photographer, Professor of Photography at the Rigas Stradins University, and curator of Riga Photomonth, on his five stand-out projects of 2018, including a new project at the Museum of Kharkiv School of Photography which has already seen the publication of KOCHETOV by Viktor and Sergey Kochetov
Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
Global business developer for Magnum Photos and founder of Firecracker, Fiona Rogers picks out her top five from the Arles festival and its fringe events – the group show Iran, Year 38; Looking for Lenin by Niels Ackermann; The Incurable Egoist by Masahisa Fukase; Life in Cities by Michael Wolf; and The Island of the Colorblind by Sanne De Wilde
The director of Seen Fifteen Gallery on her five favourite at Arles this year – from the official programme, the Luma Rencontres Dummy Book Award, and the LUMA Foundation Parc des Ateliers
Shot in Japan over two years, Tokyo is Yours is inspired by manga, surrealism and film noir, and uses a gritty monochrome that Meg Hewitt first experimented with back in Sydney
It’s the biggest, most prestigious photography festival in the world and it’s back – Les…
Back in 2010 BJP asked a panel of experts to select the best photobook of the past 25 years. They chose Ravens by Japanese photographer Masahisa Fukase – a dark, impressionistic journey by a man left bereft by divorce which has also been interpreted as an insight into the post-war Japanese psyche.