The pioneering contemporary self-portraitist reflects on his life’s work as a major, touring retrospective of his work opens in Huis Marseille this month.
Tag: Huis Marseille
The French-Vietnamese artist generates multisensory installations, inquiring the process of making memories through a collision of her cultural references and connections
Through a sensitive understanding of what it might offer artists, a new exhibition at Amsterdam’s Huis Marseille makes a case for Instagram’s significance
Documentary images of North Korea have trickled steadily into the media landscape since the late 1990s. Since those granted access to the region are afforded little freedom to be creative, their main depictions are usually of totalitarian dictatorship, state-sanctioned ideologies, normalised militarism, and colossal architecture, all of which have become over-familiar in images of the country. This documentary déjà vu is what prompted Eddo Hartmann to pursue a multimedia project about North Korea, to act as a record for what many of us cannot see. The photographer visited Pyongyang, the country’s capital, four times between 2014 and 2017, creating thousands of large and medium format digital images of the city’s architecture and citizens. “I kept seeing images in this World Press Photo kind of style,” he explains. “I knew that if I were to go there, it would not be the way that I would take pictures, because it wouldn’t be interesting.”