The Australian-born curator has been responsible for some of the most significant shows of the last 15 years. She talks fairs, mentors, and the problem with arts education
“The exhibition just becomes this transition point. There will be new artwork created by the exhibition. I think that’s exciting: it means it becomes alive. These often tragic stories will continue living in other forms, whether through painting or through music, so it’s about making the exhibition a place of life and a celebration of that life,” says Giles Duley, the photographer who has spent months travelling Europe and the Middle East to document the refugee crisis with UNHCR. Taking images from his photobook, I Can Only Tell You What I See, the display will feature artists in residence, a soundscape from Massive Attack and will host an evening supper so as visitors can sit and discuss the work and the wider problems surrounding the refugee crisis.
“What I experienced and witnessed in most families was a really strong sense of well-being and love towards each other, because it’s tough out there,” says Sian Davey, whose latest photoseries, Together, is about to go on display at the National Portrait Gallery in London ahead of an international tour. The photographer, who is already known for photographing her own family, was compelled to start a project that celebrated modern, diverse families after separating from her partner and seeing first hand how it affected her own family.
Food is big business right now, from esoteric street food diners to upscale Michelin restaurants,…