The Iranian artist discusses the multifaceted violence – and resistance – in The Fury, a set of powerful nude portraits and dance-inspired film

The Iranian artist discusses the multifaceted violence – and resistance – in The Fury, a set of powerful nude portraits and dance-inspired film
How do you make a documentary about a documentarian? Director Paul Sng talks about balancing image, sound and testimony in his film on Tish Murtha
Gold & Ashes takes over Hoxton Arches this Wednesday ahead of the fifth anniversary of the Grenfell Tower fire
With multiple projects displayed, Chabrowski creates a borderline space of video and sculpture
Shot over four years, Nelson’s new documentary hones in on a single street in Hackney, where 150-year-old eateries meet hipster coffee joints and £2m penthouse flats
Nick Ballón’s four-minute film blends fact and fiction as he follows a group of alphorn players through a mountain range in Germany
Over 100 unseen photographs by the Dutch cinematographer who collaborated with Wim Wenders for over 25 years will be revealed at Arles
It started in the early summer of 2018, when Cole Flynn Quirke’s grandmother passed away after suffering from a long-term illness. “It was the first time I ever lost someone that I adored so much. It affected me in a way that I didn’t really think things could,” he says. “I started to feel – and I know it sounds really cringey but – a kind of overwhelming weight of existing. My life became more important to me than it ever has before.”
A Bird Flies Backwards is an autobiographical project built around the timeless themes of mortality, friendship, love and lust. It includes photographs of Quirke’s family and friends and their surrounding landscape, as well as videos pulled from old VHS footage, and painful images of his grandmother on her death-bed. “I didn’t even want to look at those prints, but I put them in there because they’re important to the narrative,” says Quirke.
Since its discovery in 2009, Vivian Maier’s work – and her life – has attracted global attention. It been exhibited all over the world, featured in mainstream media outlets, and circulated in multiple books and films. Even so, many details of the American street photographer’s life remains a mystery.
We know that she worked as a nanny for 40 years in Chicago, and that she liked to spend time walking the streets, taking photographs with her Rolleiflex camera – with and without the children she was looking after. We also know that Maier took more than 150,000 photographs, many of which remain unseen, mostly of the people and architecture in Chicago, New York and LA, but also of herself, and her young charges.