Over 100 unseen photographs by the Dutch cinematographer who collaborated with Wim Wenders for over 25 years will be revealed at Arles
Over 100 unseen photographs by the Dutch cinematographer who collaborated with Wim Wenders for over 25 years will be revealed at Arles
It started in the early summer of 2018, when Cole Flynn Quirke’s grandmother passed away after suffering from a long-term illness. “It was the first time I ever lost someone that I adored so much. It affected me in a way that I didn’t really think things could,” he says. “I started to feel – and I know it sounds really cringey but – a kind of overwhelming weight of existing. My life became more important to me than it ever has before.”
A Bird Flies Backwards is an autobiographical project built around the timeless themes of mortality, friendship, love and lust. It includes photographs of Quirke’s family and friends and their surrounding landscape, as well as videos pulled from old VHS footage, and painful images of his grandmother on her death-bed. “I didn’t even want to look at those prints, but I put them in there because they’re important to the narrative,” says Quirke.
Since its discovery in 2009, Vivian Maier’s work – and her life – has attracted global attention. It been exhibited all over the world, featured in mainstream media outlets, and circulated in multiple books and films. Even so, many details of the American street photographer’s life remains a mystery.
We know that she worked as a nanny for 40 years in Chicago, and that she liked to spend time walking the streets, taking photographs with her Rolleiflex camera – with and without the children she was looking after. We also know that Maier took more than 150,000 photographs, many of which remain unseen, mostly of the people and architecture in Chicago, New York and LA, but also of herself, and her young charges.
You may not know it, but you’re probably familiar with Emily Shur’s celebrity portraits, from Helen Mirren and Will Farrell to Lupita Nyong’o and Larry David. Her active, vibrant and playful commissions have been seen on posters and screens the world over, and have helped her become one of LA’s most sought-after photographers when it comes to shooting comedians, actors and musicians in their most natural – or unnatural – habitats. But in Super Extra Natural!, her new book published with Kehrer, Shur trades in the digital camera and studio lighting to take us on a journey through Japan.
“There is this feeling that if someone has won an award, then it will not be a mistake if they are awarded again. But unfortunately selecting this way does not highlight fresh gems and talents. It just creates trends, but not excitement and new-comers. We at Gomma are not afraid to prize unknown photographers,” says founder Luca Desienna. This year’s awards are now open for submissions with past winners boasting solo exhibitions, international magazine features and photobook publications since bagging the award.
In 2011, Chatelin, a successful photojournalist and author of the photobook Israel Borderline (2008), was sent to Libya to cover the uprising at the beginning of the war. After a few months he became frustrated with the work he was producing and decided to head in a different direction. Switching to a large format camera, he travelled to the Egyptian desert and began looking at the impact of shifting economies on the landscape and territories surrounding the nucleus of action. This work has also seen explorations to Detroit, western China and Siberia, which, like Egypt and Libya, are places with diverse histories and contrasting geographies but which are fixed in outside perceptions with a single vision.
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