Reading Time: 4 minutes “Whether you’ve got six minutes or six days, it’s about lending yourself to those moments so that you can make people feel comfortable,” says the British-Nigerian photographer, recently commissioned by Leica and 1854 to capture ‘the everyday’
Reading Time: 4 minutes “For me, it’s about allowing black men to show a vulnerability that they’re not normally allowed to share”
Reading Time: 4 minutes
Reading Time: 3 minutes Colin Pantall began photographing his daughter, Isabel, in the delivery room moments after she was born. From then on, “it was just constant”, he says. Previously, the pictures he took were architectural, environmental, sometimes historical; but becoming a father re-oriented him entirely. The transition wasn’t effortless. In the early days his experience of fatherhood was spiked with feelings of claustrophobia and intense anxiety – fear of Isabel’s death, fear of his own. A sense that he could easily become obsolete.