Years after thousands of migrants arrived in the EU, they remain in temporary accommodation. Now, they demand to be heard
An ambitious ongoing project by photographer Rob Hornstra and writer/filmmaker Arnold van Bruggen puts the spotlight on peripheral European heartlands
“I consider myself a son of the European project,” says Tommaso Rada. “I am part of a generation that lived through the opening of the borders between many different countries, the introduction of the euro, and all the new cultural and linguistic mixing that the European project meant. The feeling of being Italian as well as European is the reason why I am interested in the European Union.”
Rada is now based in São Paulo, but was born in Biella in northern Italy and lived in his home country until he was 25. He watched as the policies of the EU evolved, and as the meaning of the Union began to change. His ongoing series Domestic Borders frames a number of different projects he has made, evoking the varying perspectives of those living along the borders of the member countries.
Back to South, the most recent chapter, focuses particularly on the countries that would be affected if a ‘two-speed’ Europe was implemented – a proposal in which certain members, perhaps those in better economic positions and political situations, would integrate at a faster pace, leaving the others on the periphery. Visiting the areas that would be ‘left behind’, Rada hopes to show the “challenges of living in a unique space with a different passage of time”.
“I’m usually looking for things that surprise me, things that have a deeper significance, a sense of humour, I suppose. I’m always open to what happens in life, because it tends to be more interesting than anything you can imagine.”
A year and a half after the vote that decided Britain would – eventually – leave the EU, and the discourse is just as confusing, chaotic, and convoluted as it ever was. One of the many implications to stem from the Brexit dialogue since June 2016 is, of course, the uncertain future for the 2.3 million citizens of other EU countries who have made their home in the UK. This was something that struck London-based photographer Julian Love, and inspired his most recent project The Europeans.
Long before the public sat up and took notice of the staggering number of refugees…
“The recipients of the 2017 Getty Images Editorial Photography Grants are working at the cutting edge of photojournalism, ensuring that often ignored global issues are brought to the forefront of public consciousness,” said Hugh Pinney, Vice President of News, Getty Images. This year’s winners see projects taking place in war torn Mosul, documenting the unrest in Venezuela and refugees seeking new homes in Europe.