It’s a commendable milestone by anyone’s standards – for 70 years, Magnum Photos has been at the forefront of documentary photography, photojournalism and visual storytelling, its members reporting on conflicts, crises and changes for humanity the world over. To celebrate Magnum’s long and rich history, the agency has devised Magnum Retold, a huge group project in which current members revisit stories by their predecessors. Photographers were invited to respond to an archival story that had influenced or inspired their practice in some way – a story that meant something to them personally, or a topical subject they wished to revisit. “There is a repository of amazing work, which is the 70-year-old legacy of these incredible photographers,” explains Magnum’s content director, Francesca Sears.
Frenchman Antoine de Beaupré has been collecting vinyl for almost 30 years and has amassed…
Taking inspiration from the DIY culture of his homeland during the Soviet era, Belarusian photographer Alexey Shlyk’s series of playfully staged photographs explores craftsmanship and resourcefulness.
Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”
The international photography festival in Croatia celebrates its ninth edition, hoping to unite audiences in a ‘divided’ world with its eclectic programme, which includes a Pieter Hugo retrospective; Dana Lixenberg’s award-winning Imperial Courts; and Dragana Jurisic’s elegiac pilgrimage through the former Yugoslavia, YU: The Lost Country
The celebrated young fashion photographer opens a solo show in Huis Marseilles on 09 September, but was a BJP One to Watch back in January 2014. “On the one hand, he is quite at home documenting passers-by in the grade II-listed Preston Bus Station, the future of which hangs in the balance, or photographing a British polo contest at Cowdray Park, as he did for Man About Town,” wrote Gemma Padley. “On the other, he has shot campaigns for designers Céline and Marc Jacobs, and has been featured in magazines such as i-D and Paris Vogue. In light of this impressive CV, Hawkesworth’s ability to turn his hand to whatever comes his way seems to know no bounds.”
Think of Oxford and it’s the world-famous university that will probably spring to mind first; the ancient city is not necessarily one you would immediately associate with photography. But that may be about to change with the debut of a new fortnight-long “celebration of photography” from 08-24 September, curated by Tim Clark and Greg Hobson. With a focus on the medium’s “potential to conceal and reveal”, the programme is small but convincing, with work carefully matched to specific venues in the city centre. For example, Oxford’s old fire station, now a thriving public arts space, will host an exhibition of photographs devoted to Russian prison tattoos.
Mac Lawrence’s Hidden Dispositions examines the representation of masculinity in his home country, Australia, a place “shaped by conflict, toxic norms and a deeply fragile sense of masculinity”. “Australian culture is rooted in racism, sexism and decades of white male dominance,” he says.
Casting from the street and creating near-future looks, South African photographer Kristin Lee Moolman is creating “a new African mythology”, say her fans, which has already featured in an exhibition at Somerset House, and in fashion magazines such as Vogue
It’s illegal, and a tradition that puts women at great risk, but despite this has…