Diane Smyth

Diane Smyth is the editor of BJP, returning for a second stint on staff in 2023, after 15 years on the team until 2019. She also edits the Photoworks Annual, and has written for The Guardian, FT Weekend Magazine, Aperture, FOAM, and Apollo, plus catalogues and monographs. Diane lectures in photography history and theory at the London College of Communications, and has curated exhibitions for The Photographers Gallery and Lianzhou Foto Festival. Follow her on instagram @dismy

World Press Photo selects six emerging South American photographers

“There is no shortage of visual talent around the world, but some people are better known than others,” states World Press Photo. “To develop a new and more diverse visual representation of the world, we need to locate, recognise and share the best work.” With this in mind it launched the 6×6 Global Talent program, which aims to flag up six new talents drawn from one of six continents every three months. The first 6×6 flagged up six photographers from Southeast Asia and Occeania in November 2017; this time the focus is on South America and the selected image-makers are: Oscar B Castillo (Venezuela), Fabiola Ferrero (Venezuela), Luján Agusti (Argentina), Pablo Ernesto Piovano (Argentina), Felipe Fittipaldi Freire de Carvalho (Brazil), and Tamara Merino (Chile).

12 March 2018

Daniel Shea wins the Foam Paul Huf Award 2018

“I’m a bit at a loss at the moment; to say that I’m honoured feels like an understatement,” says photographer Daniel Shea, who has won the 12th Foam Paul Huf Award. “I’ve been following this award and Foam for a long time, and I feel incredibly honored, grateful, lucky, and humbled by this opportunity.” Shea has won the prize with his series 43-35 10th Street, described as a reflection on late capitalism and its effects on New York City. He wins €20,000 and a solo show at the Foam Fotografiemuseum in Amsterdam, which will take place in Autumn this year.

8 March 2018

Excess exposed by Cristina de Middel and Bruno Morais

Tackling excessive consumption and its parlous effect on the environment and on mental health, Excessocenus uses brightly-coloured, staged images rather than the gritty photojournalism more familiar in this field. “On one hand we wanted to point out the culture of excess that is driving the planet to a total collapse, but on the other hand we also wanted to make a point about how this dramatic situation is normally presented to the audience,” says its creators, Cristina de Middel and Bruno Morais

2 March 2018

Post-Soviet visions from a new generation of image-makers

What does Eastern Europe look like 25 years after the fall of Communism? And how do young image-makers there see it? Calvert 22 is investigating, with an exhibition titled Post-Soviet Visions: image and identity in the new Eastern Europe. Curated by Ekow Eshun, creative director of Calvert 22 Foundation, and freelance writer and curator Anastasiia Fedorova, the exhibition includes work by 14 emerging photographers born in Eastern Europe and Russia – Armen Parsadanov, David Meskhi, Dima Komarov, Genia Volkov, Grigor Devejiev, Hassan Kurbanbaev, Ieva Raudsepa, Jędrzej Franek, Masha Demianova, Michal Korta, Patrick Bienert & Max von Gumppenberg, Paulina Korobkiewicz, and Pavel Milyakov.

20 February 2018

Ivor Prickett, World Press Photo of the Year double nominee

“It’s crazy, I can’t believe it,” says Ivor Prickett, of his two nominations for the World Press Photo of the Year award. “Out of a line up of six, to have two images seems insane considering the amount of great work being produced last year. I can’t quite believe it.” He’s on the phone from Iraq where he’s headed back back to Mosul, the city he’s been photographing for well over a year. Iraq’s second biggest city, Mosul was taken by ISIS militants in June 2014; in October 2016 Iraqi troops began a major offensive to regain the city, the largest military operation since the 2003 invasion of Iraq, and Prickett joined them right away. Originally from Ireland, he’s been based in the Middle East since 2009 and says that “as a reporter in the region, I couldn’t help but cover it”.

14 February 2018