David Moore’s pictures of Midlands housing estates pioneered kitchen sink realism in colour. Revisiting them is a chance for archival control and new representation, he tells Louise Benson
“I wanted to direct my photography towards questioning, towards an alternative narrative to the one imposed by the state in the face of terror”
“It’s a culture fixed in heteronormativity, with social expectations like dress codes and cocktail hours, and the continual performance of leisure.” Alexander Coggin’s decade long series takes us to an exclusive golfing community on the shores of Lake Michigan. His photographs may at first glance cast an image of a colourful and carefree retreat, but there is more than meets the eye. “There is a dissonance, especially with the kids, of learning and maintaining protocols of behaviour,” he says.