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Tag: Mack First Book Award

BJP-online’s month in photobooks

Reading Time: 5 minutes Publications we loved, and the big news stories from the last month in photobooks – including the nominees from the 2019 Mack First Book Award and an interview with photobook collector extraordinaire Manfred Heiting

Lionel Kiernan exposes Melbourne At Night

Reading Time: 4 minutes “I’ve spent so many hours on end in the dark, listening to loud music and just watching people, trying to see who I can take photos of and sussing out the environment” says Lionel Kiernan, “my work is a recording of what we can see with the naked eye in these constantly repetitive environments”.

At 21, Kiernan is the youngest photographer, and only Australian, to ever be shortlisted for the MACK First Book Award. After graduating from the Photography Studies College in Melbourne in 2017, Kiernan was nominated this year for his first major body of work documenting Melbourne’s nightlife scene, At Night.

Chrystel Lebas wins the Kraszna-Krausz award

Reading Time: 4 minutes Chrystel Lebas has won the Kraszna-Krausz Foundation Photography Book Award, beating off the two other shortlisted photographers – Stephen Gill and Dayanita Singh. Lebas won the prize for Field Studies: Walking through Landscapes and Archives, which she published with Dutch outfit FW: Books. Field Studies is framed by the work of 20th century botanist Sir Edward James Salisbury, particularly his glass plate negatives from the 1920s, retracing his steps and making new images in the same Scottish landscapes. Gill was shortlisted for Night Procession, which he self-published through his imprint Nobody Books; Singh was shortlisted for her multi-book project Museum Bhavan, which was published by Steidl. 

Photo London: Hayahisa Tomiyasu’s TTP wins the MACK First Book Award

Reading Time: 4 minutes It’s a prestigious prize, which earns the winner an exhibition at Photo London plus a photobook published by the well-regraded specialist MACK Books. This year it’s gone to Hayahisa Tomiyasu for his book dummy TTP. Shot from the window of his eighth-floor student flat in Leipzig, Germany, TTP shows a park with a ping pong table, shot at various times of day and in various seasons, and showing different protagonists each time. The table is used as a tischtennisplatte (table tennis table, as a sun lounger, as a climbing frame, as a skate obstacle, and as much more, and, states MACK Books “thanks to Tomiyasu’s sustained curiosity, we observe the habits, humour, and idiosyncrasies of human behaviour”. 

The first victim of war is truth in Poulomi Basu’s Centralia

Reading Time: 6 minutes Poulomi Basu’s Centralia is no easy read. The situation it unravels − a protracted fight for land and resources in central India − is not only complex, but also largely unheard of, especially in mainstream Western media. And Basu, reflecting on contemporary documentary practices, refuses to simplify it into a readily digestible format. Instead, she wishes to reflect the bewildering atmosphere that reigns in the region. “The adage ‘The first victim of any conflict is the truth’, is particularly apt here,” she says. “The conflict, with its many actors all occupying opaque roles, has created a space with its own internal logic and landscape.” Thus, she hopes to take the audience “on a journey to a place where truth and lies, reality and fiction have become blurred”.

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