The Manx photographer spent decades highlighting the plight of working-class communities in northern England. A long-overdue retrospective reveals the enduring potency of that work.
Tag: Ken Grant
Ken Grant’s latest photobook documents a landfill site in the dockland district of Birkenhead, North West England, and the people who gathered there between 1989 and 1995
Founded in 1997 the Pingyao International Photography Festival is China’s most prestigious photo festival, featuring images from more than 50 countries each year in indoor and outdoor venues across the UNESCO-listed ancient city. This year it includes a huge exhibition called Distinctly, which is curated by Open Eye Gallery’s Tracy Marshall and which will travel to Merseyside in 2019 as one of the main exhibitions of LOOK International Photo Biennial.
Featuring work by 12 documentary photographers – Martin Parr, Chris Killip, Daniel Meadows, John Myers, Markéta Luskačová, Tish Murtha, Ken Grant, Paul Seawright, Niall McDiarmid, Robert Darch, Elaine Constantine, and Kirsty MacKay – the exhibition “takes a unique approach to the depiction of Britain and its distinct landscapes, industries, social and economic changes, cultural traditions, traits and events” over the last six decades says Marshall. “The exhibition looks at the gentle, the humorous, the starkness, the beauty, and the realities experienced and captured by the photographers around their lives living and working in Britain,” she adds.
Starting out in his father’s carpentry workshop, Ken Grant first pursued his interest in photography through a two-year technical course, studying with unemployed shipyard labourers in the mid-1980s. He’s now a respected documentary photographer who also teaches at the Belfast School of Art; as his work on New Brighton goes on show alongside his early mentors Tom Wood and Martin Parr, and BJP caught up with him on his approach to pedagogy
“I was the first to move to New Brighton, and it was by sheer chance,” says Tom Wood. “I studied fine art part-time [a Fine Art Painting BA at Leicester Polytechnic], then went back to the car factory where I had worked before. Then I found a job as a photo technician at the poly [now Wirral Metropolitan College, where he went on to teach], and we moved there in September 1978.”
Thus began a golden age for photography in New Brighton, which lasted until 2003 when Wood moved to his current home in North Wales. In the intervening 25 years, Ken Grant also lived in New Brighton from 1992-2002, studying for a spell at Wirral Met, and Martin Parr was based just 20 minutes away from 1982-1985. Between them the three photographers created a huge body of work on the seaside town, which is based just across the River Mersey from Liverpool in North England.
For over four decades, the documentary photography course has forged a reputation as one of the UK’s leading photography teaching destinations. In fact, the very first photography class can be dated back even further to 1912, when it was introduced by the head of the school of art at Newport Technical Institute. The course, however, was set up in 1973 by Magnum photographer David Hurn as a 12-month Training Opportunities Scheme to ‘re-skill’ miners and steelworkers.
A streak of neon-bright green files among the domestic clutter of a small British living…
I was in Ken Grant’s MA class when he was teaching Documentary Photography at Newport…
British Journal of Photography’s March issue is about the long game, what it takes to…