Reappropriating Catholic imagery, Mendez highlights the impact of the colonial history in the ongoing sidelining of indigenous women in her home country
Behind a shop vitrine, a human skull, wearing a helmet adorned with a swastika, grins. Next to it, an animal – apparently taxidermic – stands rigid on the floor. The silhouette of a pair of legs belonging to a passer-by on the street reflects in the glass. Above this desultory display, a banner stuck to the top of the window reads, “Mexico… ¡quiero conocerte!”. In this single photograph, taken in 1975 in Chiapas, Graciela Iturbide projects her vision of Mexico: a country of political, religious, social, cultural and economic pluralities and tensions. A place where contrasts present themselves at every turn – sometimes harmonious, sometimes tense.
It is this multilayered image of Mexico that Iturbide has slowly peeled back and revealed through her photography over the last five decades. She has travelled extensively across her own country, between urban and rural landscapes, living with different communities, and moving from the physical to the transcendental, the ancient to the contemporary, witnessing and experiencing the juxtapositions intertwined in Mexican culture.