Following her exhibition of the winning series Atlanta Made Us Famous at TJ Boulting gallery in London, the Dutch-Moroccan photographer delves into the work and speaks candidly about navigating the music photography industry as an early-career photographer
Tag: Fiona Rogers
Directors of leading London institutions Fiona Rogers, Hannah Watson and Shoair Mavlian go live to discuss the photography industry’s response to COVID-19
Now in its second year, the PHmuseum Women Photographer Grant has a simple premise – to recognise and award world-class photographers, who also happen to be women. Judged this year by a prestigious panel including Magnum photographer Alessandra Sanguinetti and The Photographers’ Gallery senior curator Karen McQuaid, the Grant has two main sections – The Women Photographer Grant and the New Generation Prize for those under 30 years of age. BJP takes a look at those who have made the shortlist.
The founder of Firecracker and Global Business Development Manager of Magnum Photos picks out her top five of 2017 – including Megan Doherty’s Instagram feed
Why should photographers enter competitions? Fiona Rogers from Magnum, one of the judges of the International Photography Award 2018, weighs in
“Between colonialism and cosmopolitism, between a sense of not belonging and their nationality, many use the word Schizophrenie to describe how it is to construct their identity in the middle of two antagonistic cultures,” explains Carolina Arantes. Her project, First Generation, follows the lives of young Afro-French women living in the Parisian suburbs as they overcome prejudices and culture clashes. It has now been awarded the 2017 Firecracker Photographic Grant, securing Arantes £2,000 to help her complete the project.
Global business developer for Magnum Photos and founder of Firecracker, Fiona Rogers picks out her top five from the Arles festival and its fringe events – the group show Iran, Year 38; Looking for Lenin by Niels Ackermann; The Incurable Egoist by Masahisa Fukase; Life in Cities by Michael Wolf; and The Island of the Colorblind by Sanne De Wilde
Fiona Rogers founded her online Firecracker platform to help showcase the best talent in female photography. What followed was a community of photographers all celebrating and sharing amazing work and it wasn’t long before the Firecracker grant was born. “It felt like the natural evolution was to be even more supportive. Something that went beyond showcasing work online. It started out pretty small: everybody contributed £10 to put into the pot and then we managed to flip that into a grant that was £1,000 and now it’s grown to £2,000.”
Back in February 2015, BJP flagged up Cemre Yesil as a One to Watch – and now her series For Birds’ Sake, made with Maria Sturm, has won a Prix Levallois nomination. We revisit our article on this series and her hands-on approach to photography
“Salvatore Vitale’s extraordinary project How to secure a country is a forensic examination of national…