Xavier Barral, the award-wining publisher behind Éditions Xavier Barral, has died suddenly, at home in Paris on 17 February. Éditions Xavier Barral was behind books such as Antoine D’Agata’s Anticorps in 2013, a joint publication with Le Bal which won the Rencontres d’Arles Author’s Book Award; in 2015 another Éditions Xavier Barral/Le Bal co-publication, Images of Conviction: The Construction of Visual Evidence by Eyal Weizman, won the Paris Photo-Aperture Foundation Photography Catalogue of the Year.
Tag: Editions Xavier Barral
Alnis Stakle, Latvian photographer, Professor of Photography at the Rigas Stradins University, and curator of Riga Photomonth, on his five stand-out projects of 2018, including a new project at the Museum of Kharkiv School of Photography which has already seen the publication of KOCHETOV by Viktor and Sergey Kochetov
Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
“The works selected here have all run up against a more or less bitter-sweet reality, and their authors have liberally arranged, glued, assembled, masked and cut out the components of that reality in order to present it to us as something different, eminently subjective, and decidedly moving,” writes Raphaëlle Stopin, artistic advisor for the 2018 Prix HSBC. She’s writing of the 12 photographers shortlisted for two top prizes, which this year have gone Antoine Bruy (France, 1986) and Petros Efstathiadis (Greece, 1980). The other shortlisted photographers are: Olivia Gay (France, 1973), with the series Envisagées; Karin Crona (Sweden 1968), De la possibilité d’une image; Elsa Leydier (France, 1988), Platanos con platino; Sandra Mehl (France, 1980), Ilona et Maddelena; Shinji Nagabe (Brazil, 1975), Espinha; Michele Palazzi (Italy 1984), Finisterrae; Walker Pickering (USA, 1980), Esprit de corps; Marie Quéau (France, 1985), Odds and ends; Brea Souders (USA, 1978), Film electric; and Vladimir Vasilev (Bulgaria, 1977), T(h)races.
Vogue Italia’s picture editor picks out Monica Alcazar Duarte’s The New Colonists as one of her top five of 2017 – and throws in one more selection for luck
When approaching Mathieu Pernot’s 20-year-spanning work on a Roma family settled in southern France, you should leave all misconceptions and prejudices aside, as he did, and read the introduction to Les Gorgan, the photobook published by Editions Xavier Barral to accompany his critically-acclaimed exhibition at this year’s Rencontres d’Arles festival. When he began, the French photographer writes, he didn’t know anything about the Gorgan family, nor was he aware that its members had been living in France for over a century. It was to be a transformative experience, one that led Pernot to witness the birth of a child for the first time, attend funerals and engage in a type of intimacy that only time and surrender can offer.