Reading Time: 3 minutes Sasha Phyars-Burgess wins First Photobook; Photobook of the Year is awarded to Muhammad Fadli; and Photography Catalogue of the Year to Russet Lederman and Olga Yatskevich. Vasantha Yogananthan receives a special mention
Tag: Aperture Foundation
Reading Time: 3 minutes Introducing this year’s winning titles by Sohrab Hura, Hannah Darabi, Gao Shan and Drew Nikonowicz
Reading Time: 6 minutes Publications we loved, and the big news stories from the last month in photobooks – featuring work by Peng Ke, Tom Wood, Paul Reas, Vivian Maier and the post-war PROVOKE group
Reading Time: 5 minutes “I was trained as a sculptor, and this was the first time I had used the camera,” wrote Jacqueline Hassink in the Financial Times in 2011, of her breakthrough project The Table of Power. Between 1993 and 1995 Hassink contacted forty of the largest multinational corporations in Europe, asking to photograph their boardrooms. “I wanted to find a table that symbolised modern society’s most important value: economic power,” she writes. Nineteen refused, while the remaining 21, in Britain, the Netherlands, Germany, France, Switzerland and Italy, eventually agreed.
The book was published in 1996; it was the first time that photographs of these places had been made public, and in the spring of 2009, after the global recession, Hassink decided to revisit the boardrooms. With The Table of Power 2, she examined how boardroom design, revenue and employee numbers had changed over the intervening years.
Hassink, who has died aged just 52, was born in Enschede, the Netherlands, on 15 July 1966. She trained to be a sculptor at the Royal Academy of Art in The Hague, and then at the Trondheim Academy of Fine Art in Norway, but after graduating in 1992, presented herself mainly as a photographer, publishing nine books – including another celebrated title, Car Girls, in 2009. It was shot over five years at car shows across seven cities in three different continents, including New York, Paris, Geneva, Tokyo, Detroit, and Shanghai, focusing in on differing cultural standards on ideals of beauty on the women paid to pose with the cars.
Reading Time: 13 minutes Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
Reading Time: 9 minutes With so much to see condensed into one city over the course of five days during Paris Photo (09-12 November), you’d be tempted to skip round the 149 galleries lining the elegant, glass-topped halls of the Grand Palais in a couple of hours, or even miss the main event altogether, as many do. That would be a mistake. You won’t get a better snapshot of what constitutes saleable photography in 2017, from the blue-chip North American dealers such as Gagosian, Pace MacGill and Howard Greenberg, to the work of younger artists championed by the likes of Project 2.0, Trapéz and Taik Persons. And eavesdropping on the sales patter can be a real an eye-opener.
Reading Time: 5 minutes “Asselin’s Monsanto® is a courageous, investigative project that connects evidence-driven photography and visual research to the democratisation of knowledge; it’s important that this book exists in physical form, as a document, and not just in the virtual world,” says Cristiano Raimondi of Mathieu Asselin’s photobook Monsanto®. A Photographic Investigation. Raimondi is head of development and international projects at the New National Museum of Monaco and an invited curator for Platform 2017 at this year’s Paris Photo, but he’s speaking as a jury member for the 2017 Paris Photo-Aperture Foundation PhotoBook Awards because Asselin’s book has just won the prestigious First PhotoBook prize.
Reading Time: 5 minutes “On s’engage, on va le faire” – that is, “We’re in, we’ll do it”. The…
Reading Time: 5 minutes “You’ve probably never heard of Feng Li’s photography,” wrote Leo de Boisgisson in American Suburb X in March; that was true at the time, but it’s changed rapidly since September, when the Chinese artist was nominated for the prestigious Paris Photo-Aperture Foundation First Photobook award. He made the shortlist for his first publication, White Night, which was published by Jiazazhi Press in July and contains 160 images shot from 2005-2015. The title is inspired by the Bible, specifically the Book of Job and a phrase which reads “They meet with darkness in the daytime, and grope in the noonday as in the night”.
Reading Time: 7 minutes Founded in 2006 by photographer and curator Olga Korsunova, art-manager and photography critic Nadya Sheremetova, and art historian Elena Zyrianova, FotoDepartament is a gallery, bookshop, library and education hub in St. Petersburg, Russia. Aiming to promote and develop contemporary Russian photography at home and abroad, FotoDepartament runs many events, exhibitions and workshops, and represents internationally-recognised artists such as Kirill Savchenkov, Irina Yulieva, and Jana Romanova. FotoDepartament is also currently running several digital projects. Now it’s started a publishing project called Amplitude, creating photobooks of emerging Russian photographers’ work which can be read individually, or gathered together into groups. Amplitude No.1 includes photobooks by Alexey Bogolepov, Margo Ovcharenko, Irina Zadorozhnaia, Anastasia Tsayder, Igor Samolet, Yury Gudkov, Olya Ivanova, Irina Ivannikova, Anastasia Tailakova, and Irina Yulieva. BJP caught up with Nadya Sheremetova to find out more