Tag: Alec Soth

An eclectic mix of images composes Alec Soth’s latest photobook

Reading Time: < 1 minute “[The images] are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film)”

24 February 2022

Issue #7883: In the Company of Strangers

Reading Time: 3 minutes George Georgiou, Jonathan Torgovnik, Nadine Stijns and Cansu Yildiran all feature in our community issue, which focuses on the ideas and strategies behind four contrasting approaches employed by outsiders looking in

2 April 2019

Roll up, roll up for the Martin Parr Foundation membership scheme

Reading Time: 5 minutes Would you want Martin Parr to take your portrait? You might say its a brave soul who goes in front of his penetrating lens, but it’s part of a portfolio of benefits the Martin Parr Foundation is launching in its Membership Scheme.

Parr set up the Bristol-based Foundation in 2014 to house his archive, but in October 2017 it opened to the public in a purpose-built space, offering free access to much more – a rolling programme of exhibitions, a large photobook library, and a growing collection of prints. Parr’s used the opportunity to hone in on British and Irish photographers, as well as work taken in the British Isles by others, and put the focus on their documentary work – an area which he believes is still underrated.

14 November 2018

Alec Soth on his classic photobook, Niagara

Reading Time: 6 minutes Alec Soth’s first book,  Sleeping in the Mississippi, was so sweeping in its epic statements, it seemed that Soth had nothing left to photograph. What could he do next? The answer is Niagara, a portrayal of the town that has traditionally been the romance capital of North America. In Niagara, Soth sets out to capture the grand passion of life, to do for love and marriage what Sleeping in the Mississippi does for the American Midwest.

“Niagara is part of American mythology. It’s a place of romance, where people go to get married,” says Soth. “But when I got there my view of the place totally changed. The American side is economically devastated. It’s bleak.” As Mack Books republishes Alec Soth’s classic book, BJP revisits our review first published in 2006

16 October 2018

Photo London: Another Kind of Life explained by Barbican curator Alona Pardo

Reading Time: 8 minutes “They’re all driven by motivations that are both personal and political to a degree, and they are all self-initiated projects,” says curator Alona Pardo of the photographers in the show Another Kind of Life: Photography on the Margins. “Some may have started as commissions, but very early on took on a life of their own. It was interesting to think about the role of the photographer, because often the photographer hides behind the camera as a facade. There is also an interesting subtext of the photographer occupying the position of an outsider within mainstream society. They are there, assertively documenting the world.”

16 May 2018

Photo London: Magnum Photos on HOME

Reading Time: 4 minutes “What is ‘home’?” writes Magnum Photos curator Pauline Vermare. “Instinctively, the idea of peaceful haven comes to mind. A cocoon where one feels secure, loved and understood – a nurturing and forgiving place.” It’s a topic she’s been thinking about in depth, because back in 2017 Fujifilm invited Magnum Photos to collaborate on an ambitious group project, which eventually saw 16 of its documentary photographers reflect on the idea of ‘home’. These photographers are better-known for documenting the lives of others, but in this project, they were able to create intensely personal work instead. “This project provided photographers with an ideal pretext to explore a place they held dear, a familiar and familial landscape,” says Vermare. “It was an invitation to look inward and outward. Home – an inherently intimate and introspective subject matter – was also a formidable challenge to take on; for the past seventy years, Magnum photographers have predominantly been looking into the lives of others – and seldom looking into their own.”

14 May 2018